So, a big hello to Cappuccino Culture, the Spectator's new culture blog where I see Pete has reposted the list he helped compile for the Spectator's 50 Essential Films supplement. Just for good measure, Pete's added another 35 films that would be contenders for his own personal list. Brother Hoskin is a much greater cinephile than I am, but his inclusion of Eyes Wide Shut as a candidate for his own "Top 50" suggests he's also keen on offering needless provocation.
That said, I was delighted to see that the charming Whisky Galore! also made his list. Since everyone love to make movie lists, here are some films that, off the top of my head, I'd consider strong contenders for my own - middlebrow! - Top 50. The only rules in selecting them were that a) they didn't appear on the Spectator or Hoskin lists and b) no more than one movie per director. (Otherwise John Ford and Kieslowski would dominate the list.)
The Prisoner of Zenda (John Cromwell/David O. Selznick, 1937)
The Lady Vanishes (Alfred Hitchcock, 1938)
The Adventures of Robin Hood (Michael Curtiz, 1940)
The Shop Around the Corner (Ernst Lubitsch, 1940)
The Life and Death of Colonel Blimp (Powell & Pressburger, 1943)
Brief Encounter (David Lean, 1945)
Red River (Howard Hawks, 1948)
The Sweet Smell of Success (Alexander Mackendrick, 1957)
The Horse Soldiers (John Ford, 1959)
Jules et Jim (Francois Truffaut, 1962)
The Spy Who Came in from the Cold (Martin Ritt, 1965)
The Conversation (Francis Ford Copolla, 1974)
Chinatown (Roman Polanski, 1975)
The Man Who Would be King (John Huston, 1975)
Das Boot (Wolfgang Petersen, 1981)
Fitzcarraldo (Werner Herzog, 1982)
Local Hero (Bill Forsyth, 1983)
Mona Lisa (Neil Jordan, 1986)
Tampopo (Juzo Itami, 1987)
A Short Film About Love (Krzysztof Kieslowski, 1988)
Cyrano de Bergerac (Jean-Paul Rappaneau, 1990)
Raise the Red Lantern (Zhang Yimou, 1991)
Fargo (Joel Coen, 1996)
The Truman Show (Peter Weir, 1998)
Talk to Her (Pedro Almodovar, 2002)
Pan's Labyrinth (Guillermo del Toro, 2006)
So, not very much from the last 10 years? Also, none of it is obscure enough to be properly satsifying in terms of meeting the Requirements of a Good List. Still, there you have it...
I think, incidentally, that The Truman Show is one of the most under-rated films of recent years and that, in fact, its horrid relevance increases with each year that passes. But that's a matter for another time. What movies would you have on your own personal must-have lists? And which directors are represented by the wrong movies here?
UPDATE: Andrew Stuttaford rightly chides me for not including Carol Reed's The Third Man (1949). He's right. I don't quite know how I forgot about that one since it is, er, one of my favourite movies. Consider it included. I don't know why it escaped the d'Ancona/Hoskin list either...
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Philip French
August 25th, 2009 5:54pm Report this commentWa! Where's the Lady Killers. Where's Ryan's Daughter? Alex.
ndm
August 25th, 2009 8:10pm Report this commentAguirre, Wrath of God (Werner Herzog, 1972)
Mean Streets (Martin Scorsese, 1973)
Picnic at Hanging Rock (Peter Weir, 1975)
Lost Honour of Katharina Blum (Schlondorff/Von Trotta 1975)
The Marriage of Maria Braun (Rainer Werner Fassbinder, 1979)
Breaker Morant (Bruce Beresford, 1980)
That Sinking Feeling (Bill Forsyth, 1980)
Diva (Jean-Jacques Beneix, 1981)
Fanny and Alexander (Ingmar Bergmann, 1982)
Finally Sunday (Francois Truffaut, 1983)
Rumble Fish (Francis Ford Coppola, 1983)
Vagabond (Agnes Varda, 1985)
She's Gotta Have It (Spike Lee, 1986)
The Sacrifice (Andrei Tarkovsky, 1986)
The Thief, the Cook, His Wife & Her Lover (Peter Greenaway, 1990)
Johnny Stecchino (Roberto Benigni, 1991)
The Silence of the Lambs (Jonathan Demme, 1991)
My Favourite Season (Andre Techine, 1993)
Clerks (Kevin Smith, 1994)
Pulp Fiction (Quentin Tarantino, 1994)
8 Women (Francois Ozon, 2002)
As to The Truman Show, great as Peter Weir is I think his American films have never matched the greatness of his Australian films. Had it not been on the Spectator list I would have added Killer of Sheep to the list because it is a truly stunning film that has only recently been released after decades in the vault. The paucity of recent films on the list makes me realise how devastating video watching has been to my appreciation of great films.
Ron Burgundy
August 25th, 2009 9:01pm Report this commentWhile you are on about film's, Alex, do you get mistaken much for the American comedy actor, Paul Rudd? You sho look like him.
THX1138
August 25th, 2009 9:20pm Report this commentI never understood what the white rabbit was all about in Mona Lisa .
What about Ken Russel's The Devils or Robin Hardy's Wickerman
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