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Julian Perry (born 1960) paints images of genuine topicality in an immaculate high-definition realist style. His last show in 2007 dealt with the allotment sheds bulldozed by the relentless encroachment of the Olympic site. Since then he has been painting pictures of coastal erosion, visiting locations around England and composing hallucinatory images of deracination and loss.
‘Clifftop with Fridge Freezers’ was one of the first of the new series. I asked him to describe the subject. ‘It depicts a dairy that has fallen victim to what I think is called “rotational slump”, when alluvial till, or glacial till, which is basically mud,...
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I remember the first time Terry O’Neill took my photograph: he wore blue; I wore grey and the Great War helmet of the third regiment of Pomeranian Grenadiers. We were at the Imperial War Museum, and the nice curator gave me the tin hat with reverence. ‘They’re surprisingly hard to get hold of in good condition, considering how many were made,’ he said. This one had been lifted from a corpse in Arras. And I can pass on to Spectator readers — because I know how much you love this sort of thing — that the second world war version...
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Opera director David Alden said in a recent interview, ‘Opera is alive, popular — and hot.’ I agree. Opera is very much in the public eye and thriving in UK opera houses, cinemas and performing arts centres.
However, as we wait to see the outcome of the coalition’s spending review, the arts community has been vocal about its concerns and fears. London is not Munich or Vienna where public subsidy for the arts is a way of life and debated on the same level of necessity as health and education. Yet Britain is revered worldwide for the energy and quality of its...
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Palazzo Doria Pamphilj houses the most important private art collection in Rome. But the family possesses another treasure, the Villa del Principe in Genoa. The Doria side of the family moved to Rome in 1760, when they inherited the Pamphilj titles and estates, after which the Villa del Principe suffered a slow decline, punctuated by two major disasters. But after 16 years of work it has now been restored and reopened to the public.
Donna Gesine Principessa Doria Pamphilj, who stays there regularly with her husband Massimiliano Floridi and their three children, said when I visited the villa on the...
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The economic downturn has forced many of us to rethink how we operate. This is especially so in the arts, an area that has always struggled for funding, and where cuts are inevitably huge considering all the hospitals and schools we need to keep afloat — not to mention a sparkling new Olympic village to complete.
Last month the government announced that it wishes to make cuts to the arts of 25 per cent over the next four years. However, in many areas, until now at least, tightened budgets have not been overly discernible: for example, you may have seen...
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It’s August and Edinburgh is full of fashionable young comedians, but here in Skegness the Festival Fringe seems a million miles away. With its amusement arcades and fish and chip shops, this unpretentious place feels forgotten by the metropolitan arts establishment. There are no TV producers on the windswept promenade, no theatre critics in the bingo halls. Yet Skegness boasts a theatrical heritage far older than the Edinburgh Festival — traditional seaside entertainment. And this summer it’s playing host to Britain’s most seasoned seaside entertainers, Cannon & Ball.
Throughout the 1980s Cannon & Ball were one of the biggest acts...
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