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Exhibitionsrss

St Ives School influence: ‘Paddle Steamer’, 1986, by Julian Trevelyan

Exhibition review: Julian Trevelyan: Picture Language

18 May 2013
Julian Trevelyan: Picture Language Bohun Gallery, Henley

Between 1917 and 1923, Julian Trevelyan produced a map and an illustrated guide to Hurtenham, an industrial town on the Tees between Stockton and Darlington. You’ll search in vain for… Read more

Horrors of conflict: ‘Hell of the Birds’, 1938, by Max Beckmann

Exhibition review: German thought and painting from Friedrich to Beckmann at the Louvre

18 May 2013
De l’Allemagne 1800-1939: German thought and painting from Friedrich to Beckmann Musée du Louvre, Paris

Curated by the Louvre as a tribute to mark the 50th anniversary of the Franco–German co-operation treaty signed in January 1963, De l’Allemagne 1800–1939: German thought and painting from Friedrich… Read more

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When museums sell the family silver — well, carpets

18 May 2013

It is a desperate state of affairs when museums and art galleries sell outstanding works of art in order to raise funds. It is even worse, perhaps, when they do… Read more

‘Six Violas’, 1985, by Mary Newcomb (left); ‘Circuit’, 2011, by Eilís O’Connell (right)

Alexander Calder, Eilis O’Connell, Mary Newcomb

11 May 2013
Calder after the War Pace London, 6 Burlington Gardens, W1
The Physicality of Seeing: Sculpture by Eilís O’Connell Canary Wharf, E14
Mary Newcomb Crane Kalman Gallery, 178 Brompton Road, SW3

Alexander Calder (1898–1976) needs no introduction. The master of the mobile — that poignant hanging arrangement of moving elements — he also invented the stabile (stationary) and the standing mobile.… Read more

‘Queen Tomyris’, 1448–9, by Andreadel Castagno

Springtime of the Renaissance: Sculpture and the Arts in Florence, 1400–1460

11 May 2013
The Springtime of the Renaissance — Sculpture and the Arts in Florence, 1400–1460 Palazzo Strozzi, until 18 August; the Louvre, 23 September until 6 January 2014

Sixty per cent of the best Renaissance art is said to be in Italy, and half of that is in Florence. So why bother going to Florence for a particular… Read more

Tile fireplace in the form of an Airedale, Stuart Tile Works, 195

Cabinet of curiosities

4 May 2013
Black Eyes and Lemonade: Curating Popular Art Whitechapel Gallery

In 1951, the artist and writer Barbara Jones (1912–78) organised an exhibition called Black Eyes and Lemonade at the Whitechapel Gallery celebrating the popular arts of toys, festivities, souvenirs and… Read more

Why on earth paint portraits in the age of photography?

27 April 2013

‘Everybody faces rejection,’ the portrait artist Aaron Shikler said. He should know, having had three official White House portraits of former President Ronald Reagan rejected — one was too large,… Read more

Marvellously languid: ‘Sir Brooke Boothby’, 1781, by Joseph Wright

Exhibition review: Looking at the View, Tate Britain

27 April 2013
Looking at the View Tate Britain

Most of us like to look at a view, though not all are fortunate enough to live with one, in which case art can offer an alternative, a window on… Read more

‘Juan de la Cruz’, 1967, by R.B. Kitaj

Exhibitions: R.B. Kitaj: Obsessions The Art of Identity

20 April 2013
R.B. Kitaj: Obsessions The Art of Identity Jewish Museum, 129–131 Albert Street, London NW1
Analyst for Our Time Pallant House, Chichester

Nowadays, R.B. Kitaj (1932–2007) tends to be ignored by the critics in this country — like a bad smell in the corner of the room. It was not always thus:… Read more

Marble relief wall panel with Bacchus and followers, from the House of the Dionysiac Reliefs, Herculaneum, 1st century

Life and Death in Pompeii and Herculaneum

13 April 2013
Life and Death in Pompeii and Herculaneum British Museum

The Reading Room is currently packed with Roman remains and with visitors attempting (or pretending) to look at them. The latest blockbuster at the BM (sponsored by Goldman Sachs) looks… Read more

‘North River’, 1908, by George Bellows

George Bellows; Sydney Lee RA

6 April 2013
George Bellows: Modern American Life Royal Academy
From the Shadows: The Prints of Sydney Lee RA Tennant Gallery and Council Room, Royal Academy

The American artist George Bellows (1882–1925) is best known for his boxing paintings, but as this surprising exhibition reveals, that was only the half of it. We don’t really know… Read more

‘Madame la Mort’, 1890–91, by Paul Gauguin

The Angel of the Odd: an exhibition that ends with a satisfying shiver

30 March 2013
The Angel of the Odd: Dark Romanticism from Goya to Max Ernst Musée d’Orsay, Paris

To some extent, all Romanticism has its origins in darkness, coming in the wake of the 1755 Lisbon earthquake that introduced fear into the age of reason. ‘Reason’s Sleep Produces… Read more

Adjustable table, 1926–9

Shades of Gray

23 March 2013
Eileen Gray Centre Pompidou, until 20 May;Irish Museum of Modern Art, Dublin,11 October to 19 January 2014

The Anglo-Irish designer Eileen Gray keeps on being rediscovered but she remains a puzzle. The nub of the Gray ‘problem’, which her last large retrospective at the Design Museum in… Read more

‘Head Study for Mary Magdalen’ by Federico Barocci

Barocci exhibition review: is he better unfinished?

16 March 2013
Barocci: Brilliance and Grace National Gallery
Through American Eyes: Frederic Church and the Landscape Oil Sketch National Gallery

The press release blithely informs us that Federico Barocci (1535–1612) is ‘beloved by artists and art historians throughout the ages’, but I must beg to differ. Not by me, nor… Read more

Modesty intact: ‘Gypsy’, 1911, by Kees van Dongen

Free spirits

16 March 2013
Bohemian Lights: Artists, Gypsies and the Definitition of the Modern World Fundación MAPFRE Madrid

‘Gypsies seem to have been born into the world for the sole purpose of being thieves,’ Cervantes begins his story of The Little Gypsy Girl. ‘They are born of thieving… Read more

Ominously unstable elements of ocean and atmosphere: ‘Turning Vessel’ by Peter Archer

Peter Archer — Notes from an Inland Sea

9 March 2013
Peter Archer — Notes from an Inland Sea Art Space Gallery, 84 St Peter’s Street, London N1

Peter Archer used to paint landscapes on the Cornish side of the Tamar river. Their most notable features were lovingly observed trees and the tall chimneys of abandoned tin mines.… Read more

‘Moi et le village’, 1911, by Marc Chagall

Wandering eye

2 March 2013
Chagall — Modern Master Kunsthaus Zürich

‘When Matisse dies,’ declared Picasso, ‘Chagall will be the only painter left who understands what colour really is.’ Wandering around this splendid show you can see exactly what he meant.… Read more

Tokens of love, loss and hope, from top left, clockwise: 
James II shilling token, 1756; copper token, 1759; mid-18th-century thimble token and child’s ring token, mid-18th century © Foundling Museum, London

Foundling Hospital tokens

2 March 2013
Fate, Hope & Charity — revealed: the hidden stories of the Foundling Hospital Tokens Foundling Museum, 40 Brunswick Square, WC1

‘Dear Sir, I am the unfortunate woman that lies under sentens of Death in Newgatt…’  So begins a letter of 1757 addressed to the powers that be at the Foundling… Read more

Classic image: ‘Ithell Colquhoun’, 1932, by Man Ray

In the thick of it

23 February 2013
Man Ray Portraits National Portrait Gallery

Man Ray, born Michael Emmanuel Radnitzky (1890–1976) in Philadelphia, was a maker of images par excellence. He made sculptures, paintings and photographs, but the medium was always secondary to the… Read more

ArtCollectors

The new seekers

16 February 2013

Over the past year or so, art world insiders have queued up to denounce the current state of the contemporary art world. Charles Saatchi started the ball rolling with a… Read more