A special thrill when visiting country houses — as I used to do every week in the unconvincing guise of what Evelyn Waugh described in A Handful of Dust as a ‘very civil young man’ engaged in chronicling family seats — was the occasional opportunity of handling one of Humphry Repton’s original ‘Red Books’. This had been beautifully prepared and bound in red morocco for the owner’s late-Georgian predecessor by the great landscape gardener in order to provide the client with a visual explanation of his ideas for ‘improvements’. The pièce de resistance was the ingenious use of flaps, or ‘slides’, devised so as to give ‘before’ and ‘after’ views by means of charmingly illustrated perspectives, complete with clumps of trees.
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