With her poetry collection The World’s Wife (1999), Carol Ann Duffy provided a voice for the women that have been silenced in the course of history. Jane Harris has done something similar with The Observations, a bawdy tale narrated by Bessy Buckley, a (too) young Irish prostitute turned serving maid. Set somewhere dank and dour in Scotland in the middle of the 19th century, this rambunctious story revolves around Bessy’s relationship with her mistress, Arabella Weir, who is writing a treatise on the domestic class. The Observations bears all the hallmarks of a Gothic novel — locked boxes, sordid pasts, mistaken identities, ruined reputations. But it is made unique by the narrator’s voice, for which I can think of no parallel.

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