The Amnesia Clinic covers ground regularly encountered in the comic-literary first novel, namely the rites of passage of a pair of precocious, arty adolescents, but manages to stand out thanks to both the exotic location (a well-rendered Ecuador) and the unostentatious tightness of James Scudamore’s prose. The novel is narrated by Anti, an extremely bright yet unglamorous English boy whose parents’ careers have brought him to Ecuador. Anti’s safe, ex-patriate life is enlivened by his more charismatic classmate, Fabián, who lives with a rich, eccentric uncle following the death of his parents in a car crash.
The boys are inveterate storytellers; theirs is a world of shrunken heads and voodoo curses. But it seems as though Fabián is becoming detached from reality. When Anti mocks up a newspaper article about an ‘Amnesia Clinic’, an evidently fictional place where all the country’s amnesiacs recover, Fabián becomes convinced of its existence, claiming that his mother didn’t die but merely wandered off in a daze and is now residing there. Ever the Englishman, Anti does not protest too demonstratively, and the two go in search of the clinic, a journey which takes in drugs, a racy older woman, and death. Scudamore’s boys might be a little over-eloquent for some readers, but this novel is a promising start.
Amnesia plays a role in Richard Aronowitz’s début, too. In Five Amber Beads Charley Bernstein, an English art expert in his thirties, spends time in a New York hospital after being hit by a car. There he meets ‘Christopher Street’, an elderly patient who was found semi-conscious on a sidewalk, with no witnesses around to provide a clue as to how he got there, no identification, and, worst of all, no memory (his ‘name’ happens to be that of the place where he was found). Charley and Christopher become friends, and when Charley recovers and departs for England, he agrees to help Christopher in any way he can.
The first of the novel’s two strands involves Charley’s attempts to deliver on his promise. He gets hold of a fake passport for Christopher (who may not apply legitimately for a passport since he does not know his own personal details), and plans his illicit escape. The second strand concerns a diary written by Charley’s great-uncle Isy, who was interned in a concentration camp during the second world war but, thanks to his leadership qualities, was given a supervisory role over his fellows. Though separated by 60 years, Isy’s and Christopher’s quests for identity are closely bound, and Aronowitz portrays with elegance and thoughtfulness what it means to lose one’s sense of self.
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