Think how he could have dealt with this. It is the liberal professional talking. But what if Campbell had introduced a twist, had suggested a private horror when the liberal professional encounters someone like this in his own family? That way he could lead into the crack-up as the man begins to doubt the advice and balance he has given others.
The crack-up has moments of what Dr Leavis called the concrete, and what others might call the sense of something actually happening: the London traffic, the faces looming up out of the night, and especially the banality of the tiny texted sentences, which is all the man’s family will have to ponder on after his suicide. E mails, reducing human experience to sludge, hit the authentic tragic note of the 21st century.
But, whatever the book’s merits as a study of depression, I found it difficult to distinguish between the characters for all the supplied detail, and in the end this was fatal. And it was such a good idea.





Comments
fixed mealings
November 29th, 2008 9:04pmbut it's alistair campbell for chrissake! how could such minutiae be worth either mentioning or even remembering? if you really think they deserve our attention, be good boys and furnish them.
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maurice mcnamara
November 22nd, 2008 10:54amI'm with Mark Ramsden's comment. The vagueness about the title of Forum is only in there to imply the writer is above such things. Just acceptable in spoken conversation, not in writing.
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fixed mealings
November 19th, 2008 10:05pmmark ramsden, you seem to be suggesting that instead of reviewing the book, Byron Rogers should be compiling an analytical bibliography of Alistair Campbell's early oeuvre. If it only takes ten seconds to check the name of the publication, do it yourself and let us know the result.
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mark ramsden
November 13th, 2008 11:02amIf you can't be bothered to spend ten seconds finding out that it was indeed Forum that Campbell once wrote for why include the detail? To assert your superiority? It's just slapdash.
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