Ferdinand Mount

I’m not sure quite what it is that captivated me about Tim Winton’s novel, Breath (Hamish Hamilton, £14.99). It’s a sort of Huck Finn goes surfing in Australia. A scrawny kid bums along the coast in search of the ultimate wave and falls under the spell of Sando, the mysterious wizard of the surfboard. Not my scene, to put it mildly, but it is queerly compelling and I can still taste the spray.

Mick Imlah’s The Lost Leader (Faber, £9.99) well deserved its Forward Poetry Prize. This irresistible collection swings you through the myths and heroes of Scotland, ancient and modern, with a salty rollick to be savoured alongside other ironical Scotch bards such as Dunbar, and the Byron of Don Juan.

Andrew Taylor

Kate Summerscale’s The Suspicions of Mr Whicher (Bloomsbury, £14.99) is a brilliant reconstruction of a classic Victorian crime — the savage murder of a young middle-class boy in his apparently secure family home in the country. Summerscale teases out the truth of what happened and its long consequences, in both fact and fiction.

The Murder Farm (Quercus, £8.99) is Andrea Schenkel’s first novel. Based on a real case, it is set in the 1950s and deals with the murder of a German farmer and his family. It’s a short, dark book that looks  unflinchingly at the question of why people kill each other. Unusual, memorable and thought-provoking.

Roger Crowley’s Empires of the Sea (Faber, £20) is the story of the battle for the Mediterranean between the Ottoman empire and a fragile Christian alliance dominated by Hapsburg Spain in the 16th century. It’s a riveting account of a bitterly contested political, ideological and economic conflict whose effects are still with us. Narrative history at its best.

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