Simon Baker

It was a pretty undistinguished year for British fiction, but fortunately a good one for fiction elsewhere. Our Story Begins (Bloomsbury, £18.99), by Tobias Wolff, is a collection from one of America’s greatest literary talents of the last 30 years. Wolff is a writer of supreme grace and penetrating insight, and this moving, well-crafted and witty volume of new and selected stories threatens to exhaust a reader’s stock of laudatory adjectives.

My novel of the year is Pandora in the Congo (Canongate, £14.99), by the Spanish writer, Albert Sànchez Piñol. The second part (following 2005’s superb Cold Skin) of a loose trilogy whose keynote is a Swiftian exploration of man’s encounters with his own darker side, it is a homage to late-Empire, fantastical yarn-spinning, a story about our relationship with stories, and — somehow, in spite of its grotesquery and derring-do — a considered piece of literature. Indignation (Cape, £16.99), Philip Roth’s thousandth novel (approximately), deserves an honourable mention: slighter than his masterworks, it is nevertheless a plaintive and elegant book.

Robert Stewart

In the novel stakes three of the ante-post favourites, our brightest and best — Carey, Rushdie and Roth — found the ground hard-going, but coming up on the rails is Zoë Heller. The Believers (Penguin, £16.99), Roth-like in its intensity, is a savage comedy, a hymn to life’s hopelessness. Cricket finally makes it into serious fiction, in America of all places, where, in Joseph O’Neill’s Netherland (Fourth Estate, £14.99), it crashes along with other American dreams. I plugged John Laughland’s A History of Political Trials (Peter Lang, £12.99) in this magazine and I unhesitatingly do so again. It is critical reading for a generation hell-bent on dynamiting the bedrock that is the rule of law. The disappointment of the year was Alberto Manguel’s much-hyped The Library at Night (Yale, £18.99), in which a lot of interesting stuff struggles to stay afloat in a sea of narcissism.

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