It seemed difficult to imagine such things emerging from the respectable streets of Shepperton. Some explanation was guessed at on the publication of Ballard’s wonderful 1984 novel, Empire of the Sun, about a boy’s wartime experiences in a prison camp in Shanghai. The origins of this extraordinary and wonderful writer are now set out in this pellucid, forgiving, tranquil autobiography.
Ballard’s boyhood was spent in a Shanghai already phantasmagorical — ‘the honour guard of 50 Chinese hunchbacks outside the film première of The Hunchback of Notre Dame stays in the mind’. Even in peace time, his upbringing in a mock-Tudor villa on Shanghai’s Amherst Avenue was far closer to the raw facts of life and death than any childhood spent in Weybridge at the same time would have been. The dead baby of a beggar left pressed against a heating grille and the torrential public defecations of rickshaw coolies suffering from cholera and dysentery are unforgettably present to Ballard even now.
When the Japanese took the city, Ballard and the rest of the British and Allied community were interned at Lunghua Camp. He calls it ‘my last real childhood home’ and even, amazingly, tells us that the years he spent there were largely happy. ‘The camp was, in effect, a huge slum, and in any slum it is the teenage boys who run wild.’ We’ve grown used to the prison-camp memoir, but Ballard’s stands out for its sheer oddity, and what is surely total authenticity. He was only 15 when the war ended, a fact occasionally brought home in a terrifying manner, as precious boyhood possessions attract the attention of torturers:




Comments
Edward Morris
February 7th, 2008 5:06pmBallard is not the last of any line, and nothing has "all but disappeared." Genre fiction is completely alive and well, and if anyone here or at the NYT managed to bring their nose out of the air or remove their head from their backside they might actually find what Kit Marlowe called 'the literature of the age' right there in front of their noses instead of assuming that "genre fiction" ends at any given year. "Genre fiction that the mainstream supports or is willing to understand", yes. But the pulps haven't died at all, simply gone to where it takes some actual heart and research to write about them instead of nailing an entire arm of fiction into a coffin just to feed the world view that Random House or whoever is pushing this year. For shame.
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