Subscribe to The Spectator

Friday 10 February 2012

Latest issue

Buy the current issue

Jobs at Telegraph

And Another Thing

21 March 2009

Celebrating the Michelangelo of the Maida Vale pub

One of my favourite parts of London, in easy walking distance of my house in Newton Road, is what I call the Ardizzone country. This stretches from the edges of Little Venice into Maida Vale and is, or was until the crunch, in the process of rapid gentrification. I call it after the artist because, from 1920 until his death in 1979, he lived (on and off) at 130 Elgin Avenue, and made hundreds, perhaps thousands, of little sketches of its people. He had not much artistic training, apart from a spell under Bernard Meninsky at the Westminster School of Art, but he had an extraordinary skill at doing rapid figure drawings, which he deepened by clever hatching and watercolour washes. They look lightweight at first glance, but the more you study them, the more you come to admire their quality and the amount of interesting information they convey.

Edward Ardizzone had a fine gift for drawing children, and made his living by writing and illustrating books for them. But what he most liked to do, I think, was to frequent the Victorian and Edwardian pubs, in which the area then abounded, and draw their habituees, especially women, in their usual activities: drinking, arguing, pontificating and, occasionally, fighting. He liked drawing buxom barmaids, blowsy streetwalkers, and those ample women who used to sit, quietly, behind brimming pints of Guinness. Others in his cast were men propping up bars, and occasionally wiping the foam off their Lloyd George moustaches, and old codgers, hands in pockets, greasy felt hats crammed down over their ears. There is about his work a whiff of mild-and-bitter, a hint of sex and a huge expenditure of humorous good nature, in which he obviously abounded. I wish I had known him, just as I wish I had known that card-sharping genius Thomas Rowlandson. The two have often been compared. If I were starting again, I would collect both. Neither is cheap but nor are they unobtainable. In recent shows at Chris Beetles, who now runs the best private gallery in London — in Ryder Street, SW1 — he had nearly 50 Rowlandsons for sale, and half a dozen Ardizzones.

More articles from: Paul Johnson | this section

Post this entry to:   del.icio.us | Digg | Newsvine | NowPublic | Reddit

Comments Post comment

ian skidmore

July 24th, 2009 10:49am Report this comment

makes one realise what is missing from the new Spectator. For God's sake bring him back

Post comment

Back to top

Cartoons

In this section

The Spectator's Notes

The present Queen succeeded to the throne 60 years ago…

The City is used to ignoring MPs, because they don’t matter. Or at least they didn’t

It’s not strange that bankers have so much more money…

Ancient and modern: Call that a spectacle?

The Grand Olympic Opening Ceremony will apparently inform us ‘who…

Status Anxiety

I write this having just returned from the BBC, where…

The Wiki Man: The best thing since wheeled suitcases

I had a Land Rover Discovery once. It was expensive…

sponsored links

Spectator recommends

Spectator classifieds

THE PRESENT FINDER

1,700 Unusual Christmas Presents Request Catalogue 01935 815 195 Quote SPEC10 for 10% discount www.presentfinder.co.uk

OLIVE BRANCH FLORISTS

Pimilco based Florist with online ordering Web: www.olivebranch.net Tel: 020 7630 1868 Fax: 020 7233 8844

RUFFS Bespoke Signet rings

62 Shore Road, Warsash, Southampton, SO31 9FT Telephone: 01489 578867 Web site: www.ruffs.co.uk