The Wiki Man

Wednesday, 1st July 2009

A fortnightly column on technology and the web

I also don’t like the report’s pursed-lipped condemnation of file-sharing and piracy. To tell the truth, I’ve never understood why musicians and actors feel uniquely entitled to being paid a lifetime’s salary for a few hours’ work; after all, each time I drive down the M20 I don’t pay royalties to the people who built it.

I’m not a complete anarchist, but the piracy debate is far from one-sided. The very same record industry which today bleats on about intellectual property seemed conveniently blind to the concept back in the early 1990s when they charged us £19 for every CD they reissued — even when we already owned the very same album on vinyl. Maybe it was different for you. Possibly you had no sooner bought the Sergeant Pepper CD than Paul McCartney popped round with a tenner to apologise, explaining that as you already owned the intellectual property via the LP, you deserved a rebate? No? Given how generous Paul is, I suppose he must have lost your address.

The BBC often commits the same offence. Why should I pay full price for a DVD boxed set of The Office when I have already paid for the series through my licence fee? Either the value lies in the physical packaging or in the content itself. Publishers try to charge for both; to have their cake and sell it. This is questionable.

Finally the report contains one suggestion which lends itself to surreal humour. Apparently the government plans to consider tax relief ‘to promote... culturally British video games’. Which raises the question, ‘What in God’s name is a culturally British video game?’ A class-ridden, sexually repressed version of The Sims? Wii Croquet? Grand Theft Auto Tunbridge Wells? Rorke’s Drift X-Box Edition? Tweet your suggestions to @The_Spectator.