Theodore Dalrymple delivers a Global Warning
Staying recently in a handsome French provincial city, I could not help thinking, as I walked down its silent cobbled streets at night, what it would have been like if it had been in England. How restful is that deep, urban silence, which the young English so hate for fear of having to attend to their own thoughts!
The same streets in England would have been alive with the sound of screaming: down them would have staggered shivering, drunken, scantily clad sluts with bared pudgy midriffs of pasty flesh and bejewelled navels, tattoos on one of their fat shoulders or above the beginning of the cleft in their buttocks. As for the young men, better not to describe them at all, lest they should accuse you of looking at them and smash a glass in your face.
Or perhaps the town planners would have given the city a ring road, the two main functions of which were first to keep people from finding any way into the city, and having entered it from ever leaving it again, so that they become like characters in a surrealist film by Luis Buñuel; and second to kill all commercial activity within the city stone dead, thus leaving its streets by day to alcoholics who drink Diamond White and Scrumpy Jack in doorways, schizophrenics prematurely released from hospital into that great incubator of social Brownian motion, the community, ferret-faced youths in nylon clothes, out looking for trouble, who are social security and fast food made flesh, and a few desperate chronic bronchitics out to buy their cigarettes. A multi-storey concrete car park or two, whose stairwells come in handy for drug dealers and those with full bladders, completes the picture.
However, we should not forget that the man who did more damage to the fabric of European cities than Alaric, Attila the Hun, Genghis Khan, the Luftwaffe and Bomber Harris combined, Le Corbusier, was not only French Swiss but made his career in France, where he remains admired in the architectural schools to this day. A man who wanted to pull down the whole of Moscow, Paris, Rio de Janeiro and Buenos Aires, and turn them into versions of the Elephant and Castle, is the inspiration of modern French architects, which helps to explain why French modern architecture is so spectacularly awful.
A most curious phenomenon of the 20th century was the rage in some countries against the inherited fabric of the cities. Bath council wanted to raze the whole of the Georgian city to the ground, and even more astonishingly the Prime Minister of Holland, Joop den Uyl, wanted to destroy all the 17th-century streets of Amsterdam and replace them with something a little more redolent of social justice.
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daniel sinclair
June 6th, 2008 9:18am Report this commentI'm a big fan of this writer. He makes a lot sense.
robert
June 6th, 2008 7:41pm Report this comment... he also describes Brownian England with more precision and honesty than any other columnist
Reg
June 9th, 2008 10:44pm Report this comment"...ferret-faced youths in nylon clothes who are social security and fast food made flesh"! Ha ha ha! Hilarious!
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