Keep your wild strawberries
Bergman, Antonioni and the end of an error
11 August 2007
John Ford was a far better director than Ingmar Bergman
Sixteen years ago I got together with a group of like-minded friends and started a magazine called The Modern Review. Its premise was that popular culture is as worthy of serious critical attention as high culture and, to that end, we commissioned intellectuals and academics to write about the likes of Madonna and Arnold Schwarzenegger. Believe it or not, this was a fairly radical idea back in 1991 — though not a wholly original one — and the magazine caused quite a stir. The previous generation of writers and critics attacked us on an almost weekly basis.
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