Anish kapoor

The jewel-bright, mesmerisingly detailed pictures by Raqib Shaw are a revelation

Describing the Venice Biennale, like pinning down the city itself, is a practical impossibility. There is just too much of it, tucked away, scattered throughout the maze of alleyways and canals. And the art is no longer confined to the Biennale’s national pavilions in the gardens. It has spread, via dozens of tagalong shows cashing in on the presence of the global art world, to a motley array of disused palaces, warehouses, churches, at least one shop and a hidden garden loggia. A good way to sample it is just to follow your fancy: step through an ancient doorway and find out what is on the other side. That’s how

The twisted logic of Shamima Begum’s defenders

Shamima Begum is back in the news. Firstly because she’s had a makeover. She can be seen on the front page of today’s Telegraph sporting long, flowing locks, trendy shades and Western clothing. Is Shamima the Islamist now aspiring to be Shamima the celeb? Perhaps she’s angling for her own reality TV show: The Real Housewives of Raqqa. But the second reason she’s in the news is because the British-Indian sculptor Anish Kapoor has expressed sympathy for her. He says she’s a victim of British racism. I really wish Sir Anish would stick to what he’s (very) good at — public art installations — and leave the Shamima business alone.