Biography

Houdini looks bound to captivate us forever

Give thanks to the person who invented Venetian blinds, they say, or it would be curtains for us all. Curtains is mostly what people got at a Houdini show. He’d come on stage, be locked up or sealed in or tied down, and then the curtains would descend. They could stay drawn for an hour or more. Ostensibly this was to ensure that nobody saw him effect his escape, but in reality it was to heighten the drama. Houdini was usually free within a couple of minutes, but he knew audiences didn’t want things to be too simple for him. As he put it: The easiest way to attract a

Without Joseph Banks, Cook’s first voyage might have been a failure

When the wealthy young Joseph Banks announced that he intended joining Captain Cook’s expedition to Tahiti to observe the Transit of Venus, friends asked why he didn’t instead do the Grand Tour. ‘Every blockhead does that,’ Banks replied. ‘My Grand Tour shall be one round the whole globe.’ It was a wise decision, and his voyage on HMS Endeavour would be the making of him. He returned with an extraordinary haul of natural history specimens and would thereafter more or less fall into important roles on the strength of his experiences, whether it was as the unofficial director of Kew, which he would make into the world’s most important botanical

Why are musicologists so indifferent to their subjects’ love lives?

People often say that the battle for male gay rights has been won, at least in the West, and that may be true. But the drag of the past is still great, and I can think of only two major works between classical and recent times that celebrate same-sex love openly: Shakespeare’s sonnets and Oscar Wilde’s The Picture of Dorian Gray. Light began to break through after the Great War, but largely for fellow insiders. Auden and Isherwood were timid in what they published in their prime. Proust did gay, but stuck to sordid. Only Gide spoke out positively in Corydon, but the journals are almost mute on his sex

René Dreyfus: the racing driver detested by the Nazis

I have driven a racing car. On television, it looks like a smooth and scientific matter. It is not. A racing car is a fearsome environment of engulfing pyroclastic heat, metaphor-testing noise, vision-blurring vibration and nauseating centrifugal forces. Ninety years ago it was even worse. The cars had tyres with little grip, feeble brakes and no crash protection whatever. Hot oil would continuously spray over drivers, who raced in linen caps; and an off, as they call excursions, would often result in mutilation or immolation. Faster is the story of René Dreyfus, who flourished in this atrocious atmosphere, in a culture where the public found the achievement of speed a

When Idi Amin threatened to shoot the cook

Private chefs keep many secrets and are expected to go to their graves without sharing a morsel of gossip about their employers. Whether cooking for a pop star, tycoon or member of a royal family, chefs must guarantee confidentiality. Chatter can be career-ending or lead to lawsuits. For a few such cooks, revelations could even end in execution. When the Polish journalist Witold Szablowski came up with the winning idea of writing a book about what some of the world’s most notorious dictators ate, it proved a difficult task. Finding just a few living examples of their chefs took more than two years; persuading these individuals to tell their secrets

For Ravi Shankar, music was a sort of religion

When musicians from outside the Anglo-American pop mainstream achieve success in the West, there are conflicting reactions. Seun Kuti, the Afrobeat star, once complained to me that most world music celebrities are people who play much the same music as their peers to much the same standard and simply get lucky when a record company stumbles across them. In some cases, musicians from Asia and Africa have to be rocketed into orbit by the boost of an association with a pop giant, even if they then drop away: thus Ladysmith Black Mambazo with Paul Simon, or Buena Vista Social Club with Ry Cooder. Another explanation is offered by the Alchian-Allen

Gustav Mahler’s bid for greatness: the ‘Symphony of a Thousand’

A kind of gigantism took hold of the European mind in the years before the first world war. It shaped everything, from empires to poetry. In the confidence of new technology and new ideas, things could be attempted on a larger scale than ever before. The mental power of the age could be measured in the sheer size of the things it produced. This might be ‘Jacky’ Fisher’s Dreadnought in 1906, which set off a European arms race in huge battleships, or a great construction — the Victoria memorial in front of Buckingham Palace is nothing to the one built in Kolkata. Even plays were being conceived on a scale

The good boy of jazz: Dave Brubeck’s time has come round at last

On 8 November 1954, Dave Brubeck’s portrait appeared on the cover of Time magazine, accompanied by the words ‘The Joints are Really Flipping’. Inside, the pianist and leader of his own jazz quartet was variously described as ‘a wigging cat with a far-out wail’ and ‘way out on Cloud 7’, who when at college chatted up his future wife Iola with the immortal philosophical enquiry: ‘Tell me about this Plato cat.’ Yet Brubeck’s life and habits were far from the archetypal drug-fuelled, self-destructive behaviour the public had sometimes been led to expect from best-selling memoirs of that world, such as Mezz Mezzrow’s hugely entertaining sustained exercise in jive-speak, Really the

The wizard that was Warhol

In 1983 I was sent to New York to interview Johnny Rotten and I took the opportunity to call on Andy Warhol. The Factory was in the phonebook; and the receptionist, Brigid Berlin, said that Andy was in Milan but would be back the following afternoon. ‘You better give him half an hour. Why don’t you come over at 2.30 p.m.?’ So I did. I’d never been part of that New York scene, but wanted to meet someone who had helped me develop my own freedoms almost 20 years earlier. According to Blake Gopnik’s book, I should have found a studio that was triple-locked, with an anxious artist hiding inside.

Dangerously desirable: the white-morph gyr falcon commands sky-high prices

The art of falconry is more than 3,000 years old and possibly as popular now as at any time. Its devotees argue that in a pure form it is a deeply honourable tradition, requiring superhuman patience to coax a magnificent predator to hunt at the owner’s behest. It is a relationship, they would also claim, of mutual understanding and partnership between hawk and human. That’s the positive version. At its most degraded, falconry seems to be a psychopathological obsession, rooted in a fetish for control over beautiful raptors, which sometimes drives practitioners to morally dubious, even illegal, behaviour. The American journalist Joshua Hammer has written a revealing portrait of the

David Bowie: the boy who never gave up

A few years ago Will Brooker spent 12 months pretending to be David Bowie. For several weeks he dressed up as Ziggy Stardust (gold bindi, maroon mullet, jumpsuit run up from old curtains), then as Aladdin Sane (blue and red lightning slash daubed across face), then as the Thin White Duke (black waistcoat, black eyeliner, slicked-back hair). And so on, right through every satin-and-tat get-up of Bowie’s long career. What larks! And yet. I don’t know whether Brooker had his mother in a whirl, but he certainly had some of us wondering what was going on in the groves of academe. Did I mention that these wardrobe antics were part

Burnt out at 27: the tragedy of Janis Joplin

Janis Joplin hated the word ‘star’, but she loved the trappings. As soon as she made serious money she bought a Porsche convertible and had it painted with psychedelic images to make it the most recognisable car in San Francisco. She also rejoiced in her lynx fur coat, courtesy of Southern Comfort. She sent them a file of all the numerous press clippings that said Southern Comfort was her favourite tipple and they responded with a cheque. ‘Oh man, that was the best hustle I ever pulled,’ she crowed to a reporter. ‘Can you imagine getting paid for passing out for two years?’ If only she’d stuck to Southern Comfort

The genius of Reynolds Stone: a private man in a public world

You may not know the name of Reynolds Stone, but it is almost impossible that you haven’t come across his designs. If you’re familiar with the masthead of the Economist or remember the clock on the top of the front page of the Times; if you’ve seen the colophon on a book published by the Folio Society or Hamish Hamilton or owned a Penguin edition of Shakespeare; if you’ve borrowed something from the London Library; if you had a £5 note in your wallet in the 1960s; if you’ve walked over the memorial to Winston Churchill on the floor of Westminster Abbey or if you own a passport with the

How troll stories blighted the life of Patrick O’Brian

Patrick O’Brian, born Richard Patrick Russ, never wanted his life written, and this passionate wish presents the first hurdle to someone as fond of him as was Nikolai Tolstoy, the son of O’Brian’s second wife, Mary, by her first husband. Why pry further? Why deploy papers and diaries which O’Brian expressly instructed should be destroyed? To this objection, Tolstoy can offer two replies, and both are powerful. First, one biography already exists, not only unauthorised but deeply resented by O’Brian in his lifetime; and on the basis of that book, and of partial evidence from one faction within a fairly dysfunctional family, some unpleasant accusations have been made about O’Brian’s

James Baldwin’s radicalism was part Marxist, part Christian

Great biographies try to answer questions about the complicated relationship between their subjects’ inner life and outer workings. How did Winston Churchill turn the pain of his early life and his years in the political wilderness into the words that galvanised the free world? How did Frida Kahlo’s physical impairment shape her vision as a painter? I am endlessly interested in the inner and outer lives of the African–American writer and activist James Baldwin, for my money not just the most important black writer of the past 100 years, but one of the most important American writers ever. Although we differ wildly in our life experience — I am a

Meet Dr Love: the infallibly seductive, pioneering French gynaecologist

Do not google Samuel Jean Pozzi. If you want to enjoy Julian Barnes’s The Man in the Red Coat — and believe me, it’s teeming with delights — stay away from search engines and trust the author to tell the story in his own way. But just to get you started: Pozzi (1846–1918), the man John Singer Sargent painted, gloriously, in sumptuous red, was a Frenchman, a prominent, pioneering doctor in Belle Epoque Paris, and a charming, ubiquitous, infallibly seductive socialite. (‘Disgustingly handsome’ is how the Princess of Monaco described him.) He was Sarah Bernhardt’s doctor and also her lover; she called him ‘Docteur Dieu’. (His other nickname was ‘L’Amour

Living life to the full

In 1971, Tove Jansson paid one of her many visits to London, where 1960s fashion hangovers made the whole city look like ‘one big fancy-dress ball’. When not partying to celebrate 20 years of British editions for her Moomin books, she and her life-partner ‘Tooti’ — the artist Tuulikki Pietilä — caught performances of Hair (‘a grand glorification of psychedelic hippiedom’) and the ‘racy’ Canterbury Tales musical. They also saw that ‘incredibly powerful’ film, The Trials of Oscar Wilde — ‘very unlikely to come to Finland, unfortunately’. Foreign admirers sometimes presume that, in postwar Finland, Jansson found it easy to be both a saintly godmother of children’s literature and a

Edith Nesbit — a children’s writer of genius who disinherited her own adopted offspring

‘When one writes for children,’ the novelist Jill Paton Walsh has said, ‘there are more people in the room. Writing for children involves the adult writer, and the child that writer once was; the present child reader, and the adult that child will become.’ Edith Nesbit, one of the greatest writers for children, was brilliantly attentive to this quartet. What she remembered clearly was childhood’s capacity for belief. At the moment when, in Five Children and It, the Psammead emerges from the sand, she comments: ‘It is wonderful how quickly you get used to things, even the most astonishing.’ In The Phoenix and the Carpet those same children find a

In praise of Thomas Graham, unsung hero of the Peninsular War

Why does a man join the army? The answer was probably more obvious in the 18th century than now, but in 1793 Thomas Graham was 45. The son of a Perthshire laird and of a daughter of the Earl of Hopetoun, and having inherited a good fortune, in 1774, he had married the beautiful Mary Cathcart, daughter of Baron Cathcart and of Jane Hamilton, herself the daughter of Lord Archibald Hamilton, all scions of Scots whiggery. It was evidently a love match. On the same day, Mary’s elder sister, Jane, had wed too. Their father wrote: ‘Jane has married, to please herself, John, Duke of Atholl, a peer of the

How Britain conned the US into entering the war

In June 1940, MI6’s new man, Bill Stephenson, ‘a figure of restless energy… wedged into the shell of a more watchful man’, sailed from Liverpool to New York on the MV Britannic. Once separated from its protective convoy, ‘this elegant, ageing liner was on its own’, Henry Hemming writes, noting that the same was true of Britain and ‘salvation for both lay in the New World’. Shortly after America entered the second world war in December 1941, a plane left for Britain carrying just a handful of passengers. Stephenson was among them. Over the intervening 18 months he had become Britain’s extraordinarily effective ‘Man in New York’. Not only did