Book reviews

A well-told lie

Autobiography provides a sound foundation for a work mainly of fiction. A voyage in an ocean liner provides a sound framework of time and place. Michael Ondaatje was born in Ceylon in 1943 and migrated to Canada at the age of 19. The Cat’s Table is an entirely believable, warmly empathetic novel about an 11-year-old boy’s journey, alone among 600 passengers in an Orient Line ship, from Colombo to London in 1954 by way of Aden, Port Said and Gibraltar. The boy’s first name is the same as the author’s, and the circumstances are depicted so realistically one feels as though the two Michaels’ points of view are identical. The

Low life and high style

In 1977, Roy Kerridge was a lavatory cleaner; in 1979 he was a well-known contributor to The Spectator. Yet this was no rags-to-riches discovery of a literary talent. Apart from anything else Kerridge had perfected a line in second-hand clothes — a short sheepskin coat, a brown Dunn’s suit, pastel shirts — that fitted his own style: out of fashion and down at heel. After a busy decade in the 1980s we began to hear little from Kerridge. Had his star burnt out? In 1984, a slice of Roy Kerridge’s life in the 1970s appeared in The Lone Conformist. But he had travelled the same road 20 years earlier, and

Deeper into Mervyn Peake

The first two volumes of Mervyn Peake’s Gormenghast trilogy were published in 1946 and 1950, but by 1954, when I was first alerted to them by a school-friend, Peake had entered what his first biographer John Watney called ‘a doldrum period’. Overtaken by a wave of younger writers — Kingsley Amis, John Osborne et al — with more obvious contemporary relevance, Peake was beginning to suffer the first symptoms of the Parkinson’s disease that killed him in 1968 at the age of 47. Titus Alone, the third volume of the trilogy, appeared in 1959, but its comparative brevity, the scrappiness of its construction and the unsteadiness of Peake’s grasp of

Delightfully not cricket

Even brilliantly accurate satirists can become boring unless they have something to say. That is the triumph of CrickiLeaks. Purporting to be a series of spoof Ashes diaries that reveal the innermost thoughts of famous English and Australian cricketers, CrickiLeaks doesn’t just superbly capture the players’ voices and vocabularies, it also makes them say surprising, hilarious things. Like a champion batsman, CrickiLeaks raises its game when the challenge is greatest. Consider the difficulty of taking on Geoff Boycott. Every cricket fan has heard dozens of decent imitations of Boycott’s thick Yorkshire accent and self-confident manner. How could a satirist put anything new into Boycott’s mouth? Here’s how: I first met

What is it about Stieg Larsson?

Stieg Larsson was a rather unsuccessful left-wing Swedish journalist who lived off coffee, cigarettes, junk food and booze, and died aged 50 after climbing seven flights of stairs, having recently sold to a publisher the series of crime novels now called The Millennium Trilogy. It was originally called The Men Who Hate Women, and in Sweden the first of the series was published under that prize-winningly awful title. The Millennium Trilogy is an improvement, but hardly has the ring of a hit. Nonetheless, it has sold millions of copies and inspired a global cult. The sales are due entirely, I should think, to the infinitely sexier titles Larsson’s publisher came

Recent crime fiction | 23 July 2011

John Lawton’s Inspector Troy series constantly surprises. John Lawton’s Inspector Troy series constantly surprises. A Lily of the Field (Grove Press, £16.99), the seventh novel, has a plot stretching from Austria in 1934 to Wormwood Scrubs in 1949, via Los Alamos and Paris. Fiction rubs shoulders with fact. There are big themes — including the Holocaust, the atomic bomb and Cold War espionage — but they are linked to individual lives, beautifully and economically described. Meret is a cellist whom we meet as a schoolgirl in prewar Vienna, and her career provides the thread that binds together the various strands of the novel. Like all the characters, she is caught

Bookends | 16 July 2011

I like books with weather and there’s plenty in this one, all bad, which is even better. Set in London during a cold winter, Blue Monday (Penguin, £12.99) is the first of a new series for Nicci French, the successful husband and wife author team. I like books with weather and there’s plenty in this one, all bad, which is even better. Set in London during a cold winter, Blue Monday (Penguin, £12.99) is the first of a new series for Nicci French, the successful husband and wife author team. The central character is a consultant psychoanalyst called Frieda Klein, and the plot revolves around identity and identity transfer. The

City of miracles

In the autumn of 1984, after an unexplained fall, I found myself in a hospital in Rome acutely head-injured and disorientated. I had been found sprawled on the floor of my flat on Via Salaria; the police suspected an intruder, yet nothing apparently was stolen. Bloody handprints covered the walls where I had tried to steady myself. I was 23 and newly arrived in Rome to work as a journalist and teach. Later, I regained consciousness outside a latrine on the sixth floor of San Giovanni hospital. A group of nuns with elaborate bird-like coifs swished past, each bearing a carafe of white wine. So I was in paradise —

Coolness under fire

The early 19th century was the age of the dandy, and the essence of dandyism was cool self-control. The dandy shunned displays of feeling. There is feeling a-plenty in both these books; yet they may fairly be described as novels which bear the characteristics of dandyism. Though not short of action — something the dandies deprecated — they are cool, elegant and laconic. Stella Tillyard is known as a historian of 18th- and early 19th-century aristocratic and royal life. Tides of War is her first novel, and a very accomplished one. It moves easily between domestic and political scenes in London and Norfolk, and the Peninsula, where Wellington’s army, with

Patience v. panache

The square jaw and steely gaze are deceptive. In reality, next to a prima donna on the slide, no one is more vain and temperamental than a general on the climb. So much at least is clear from Peter Caddick-Adams’s intriguing study of generals Bernard Montgomery and Erwin Rommel. Each was assiduous in the celebrity skills of image-making and audience massage, and none more adept at stabbing rivals in the ribs and ascribing good luck to talent. Yet for all the froth, both succeeded in a trade whose yardstick of success, crushing an opponent to death or submission, cannot be faked. In popular terms, it is the great confrontation in

The great game

Some of the best writing about sport in recent years has been done by journalists who tend their soil, so to speak, in another parish. Peter Oborne’s biography of the Cape Town-born England cricketer Basil D’Oliveira was a deserved prize-winner, and another political scribe, Leo McKinstry, has done justice to Geoffrey Boycott, the Charlton brothers and Sir Alf Ramsey. Now he has turned his attention to a batsman whose career, measured in statistics, goes a long way to justifying the subtitle of this latest book, ‘England’s Greatest Cricketer’. Born in a modest Cambridge home, admired by all who played with him for his decency as well as his skill at

Recent crime fiction | 4 June 2011

Mo Hayder has a considerable and well-deserved reputation as a writer of horrific crime novels that often revolve around the physical violence men do to women. Her latest, Hanging Hill (Bantam, £18.99), is no exception. Set in Bath, it’s the story of two estranged sisters — Zoe, a detective inspector equipped with a motorbike and a welter of scars, both physical and emotional; and Sally, the divorced mother of a teenage girl, who is struggling to cope with her vertiginous plunge from the agreeable plateau inhabited by Bath’s affluent middle classes. The narrative moves alternately between the sisters’ lives and the impact that the murder of a beautiful teenage girl

Deep, dark mysteries

For Peter Ackroyd, the subterranean world holds a potent allure. London Under, his brief account of the capital’s catacombs and other murky zones, manages to radiate a dark mystery and sulphur reek. ‘There is no darkness like the darkness under the ground’, Ackroyd announces, like a Victorian raree-show merchant. This is an entertaining if slightly daft book, that reveals what a weird world lies beneath our feet. Whether Ackroyd has actually been to all the places he describes is uncertain. Journalists have contorted themselves through narrow, stinking cave-galleries and risked leptospirosis from rat urine in their quest for London subterranea. But the stately Ackroyd? The London sewers are vividly described

Vastly entertaining

It may not be quite true that the next best thing to eating good food is reading about it, but undeniably food writing has its considerable pleasures. You’ve got it all there: sex and sensuality (the link between the appetites hardly needs spelling out), social history, the loving acquaintance with ingredients . . . and recipes. The Penguin Great Food series — a selection of 20 delightful, lightweight (we’re talking wrist-strain, not subject), prettily jacketed works by the finest food writers — is a feat. Just selecting 20 authors from the 17th century to now is difficult in itself. Do you go for good prose (Alice B. Toklas, Gertrude Stein’s

A conflict of loyalty

What was life like in Hitler’s Germany? This question has long fascinated authors and readers alike, as books like Alone in Berlin, The Boy with the Striped Pyjamas and The Book Thief bear witness. What was life like in Hitler’s Germany? This question has long fascinated authors and readers alike, as books like Alone in Berlin, The Boy with the Striped Pyjamas and The Book Thief bear witness. Nazi Germany, it has often been argued, was a totalitarian dictatorship. Through force, indoctrination and even common consent, such an interpretation contends, Hitler wielded total power and had complete control of the German population. But were the tentacles of the Nazi state

Wheels of fortune

There are among us a churlish few who consider the term ‘sports personality’ to be an oxymoron. There are among us a churlish few who consider the term ‘sports personality’ to be an oxymoron. John Foot’s sparkling study of Italian cycling is a welcome corrective, alive with terrific characters: Toti, a heroic one-legged cyclist who was killed in the trenches; Coppi, a barrel-chested adulterer who became the nation’s darling; a blind coach who could divine victory or defeat in the feel of a cyclist’s muscles; and, more recently, a champion who died of a cocaine overdose in a seaside hotel. Many of the greats follow a satisfying rags-to-riches trajectory, starting

Doomed to disillusion

The Forgotten Waltz is one of those densely recapitulative novels that seek to interpret emotional crack-up from the angle of its ground-down aftermath. At the same time, it is not really a book about hindsight. Sometimes extending information to the reader and sometimes deliberately covering its tracks, sometimes inviting sympathy for its characters and sometimes implying that sympathy only gets in the way of knowledge, it offers the enticing spectacle of a heroine determined to decode the human acrostics that strew her path while darkly conscious that most of her judgments are either horribly provisional or downright inchoate. Everything kicks into gear back in the early 2000s, down by the

Captain courageous

The sum of hard biographical facts about Captain Cook never increases, nor is it expected to. It is the same with Shakespeare. J. C. Beaglehole’s Life of Captain James Cook (1974), which Frank McLynn quotes often, contains most of what is known about Cook’s family life and origins. As the son of a Yorkshire farm labourer, he belonged to a class that was unlikely to leave any record of his childhood. He was clever, and went to live with a Quaker family in Whitby where he worked in the shop. He went to sea in the collier trade at the advanced age of 17, and transferred to the Royal Navy

One hap after another

Nicola Shulman begins her rehabilitation of Thomas Wyatt by remarking that there is ‘an almost universal consensus that he can’t write’ — a consensus established within a generation of his death in 1542. Nicola Shulman begins her rehabilitation of Thomas Wyatt by remarking that there is ‘an almost universal consensus that he can’t write’ — a consensus established within a generation of his death in 1542. Even the Earl of Surrey, his friend and eulogist, acknowledged his verse to be ‘unparfited’, and by Shakespeare’s day he was a joke: Malvolio keeps a poem of Wyatt’s about him, proclaiming himself a nincompoop. Like Malvolio, Wyatt excels at such un- attractive emotions