Book reviews

Saturday

Robert Cooper

Feeling pleasantly uncomfortable

It is rare for stories to be specially commissioned for an audio book, but as Maxim Jakubowski, the editor of The Sounds of Crime tells us in a pre-thrill talk, he ‘begged’ the five writers he considered to be the best in their field to produce a new story for this collection; and ‘happily for me,’ he tells us, ‘they all agreed.’ Jakubowski’s introduction evokes those black-and-white days when Alfred Hitchcock shuffled on to millions of walnut-encased television sets to present us with half an hour of spine-tingling tension — very much as we have with each of the stories here. It is rare for stories to be specially commissioned

Andrew Lambirth

Forget the matchstick men

Here at last is a book that takes L. S. Lowry’s art seriously and treats it with the scholarly attention it deserves. Here at last is a book that takes L. S. Lowry’s art seriously and treats it with the scholarly attention it deserves. Tom Rosenthal has been a life-long admirer of Lowry’s work, spending his formative years in Greater Manchester and even interviewing the old curmudgeon for Radio 3 in the 1960s. One of his aims in this book is to dispel the various myths that have grown up around Lowry and his critically underestimated art. It has become fashionable in the art world to look down on Lowry

Ian Birrell

The making of the coalition

David Cameron was despondent on the evening of 10 May. Although the election result was pretty much as he had predicted privately, he feared that his ‘big, open and comprehensive offer’ of coalition with the Liberal Democrats was about to be rejected in favour of a deal with Labour. When we talked that night he feared another spell in opposition, and he ended by suggesting I went into the office the next day since he would have time on his hands. But as we spoke, the Lib Dem negotiating team was reporting back to Nick Clegg on another disastrous set of discussions with Labour, ensuring that long-held hopes of the

Saturday

Andrew Taylor

BOOKENDS: Gothic tales

Much of Stephen King’s recent work has been relatively lighthearted, but in Full Dark, No Stars (Hodder & Stoughton, £18.99) he returns with gusto to his dark side and explores the perils of getting what you ask for. Much of Stephen King’s recent work has been relatively lighthearted, but in Full Dark, No Stars (Hodder & Stoughton, £18.99) he returns with gusto to his dark side and explores the perils of getting what you ask for. The first and longest of these four novellas, ‘1922’, is a murderer’s confession: a farmer describes murdering his wife in Nebraska just after the first world war and the unexpected consequences that gradually destroy

Jason Goodwin

No man’s land

The shores of the eastern Mediterranean, from the eastern Aegean to the delta of the Nile, constitute a region known as the Levant, from the French for the sunrise. The French were first into Smyrna, opposite the island of Chios, which became a boom town in Ottoman times, trading figs and raisins from the hinterland. Far from Constantinople, it was a cheap and relaxed place to do business, encouraged by the Ottoman grants of consular jurisdiction and free trade. European consuls lived like princes in Smyrna, the merchants like lords. Tension between Muslims and Christians, between the many communities of Jews, Greeks, Armenians and Franks who settled there, were generally

Andrew Taylor

Mean streets | 27 November 2010

Christmas is coming, which generally leads to a surge in sales of crime fiction. Fortunately for readers, some delectable crime novels have appeared in the past few months. Among them is Val McDermid’s Trick of the Dark (Little, Brown, £18.99). This is not one of her series novels but a standalone thriller whose plot revolves around St Scholastika’s College, Oxford, a women’s college with a certain resemblance to St Hilda’s. One of its alumnae is Charlie Flint, a clinical psychologist whose professional reputation is hanging in the balance. She receives an anonymous bundle of press cuttings relating to a recent murder at the college, now the subject of a high-profile

Ian Dunlop

Ring of truth

The glamorous art world of Manhattan is a natural subject for novelists and film-makers, but with the honourable exception of William Boyd’s Stars and Bars, written before the great art boom of recent times got going, few of the novels or movies have quite got it right. The glamorous art world of Manhattan is a natural subject for novelists and film-makers, but with the honourable exception of William Boyd’s Stars and Bars, written before the great art boom of recent times got going, few of the novels or movies have quite got it right. But now comes a novel by Steve Martin, An Object of Beauty, which does seem to

Mark Mason

Two legs good

In September 1954, Albert Speer decided to walk from Berlin to Heidelberg, a distance of 620 kilometres. As Hitler’s architect still had more than a decade of a prison sentence in Spandau to serve, this might have been seen as problematic. But not so. Speer mapped out a circular course of 270 metres in the prison’s garden, and proceeded to walk it over and over again. He completed the journey in a few months, having done 2,296 laps of the course. Seeking a new destination, he rejected the suggestion of fellow prisoner Rudolf Hess — Asia — on the grounds that it would mean passing through communist countries. This tale

Susan Hill Susan Hill

Under the skin

Why do so many aspiring writers think it best to begin with the short story and graduate to the novel? It’s madness. The short story is infinitely harder to write well. Some novelists succeed at both — William Trevor and John McGahern are the names that spring to mind — but Chekhov never wrote a novel and, coming up to date, our leading woman short-story writer, Helen Simpson, has not been tempted to do so either. I can count on a hand the names of contemporary writers whose collections of short stories are worth reading, but Polly Samson has belonged on one of its fingers since her fine first volume,

Daniel Swift

Dazzling puzzles

Halfway through his new book about Shakespeare’s sonnets, Don Paterson quotes W.H. Auden. Auden was one of Shakespeare’s great commentators and he firmly warned against reading the sonnets as simple statements. ‘It is also nonsensical,’ Auden wrote, ‘to waste time trying to identify characters. It is an idiot’s job, pointless and uninteresting.’ Halfway through his new book about Shakespeare’s sonnets, Don Paterson quotes W.H. Auden. Auden was one of Shakespeare’s great commentators and he firmly warned against reading the sonnets as simple statements. ‘It is also nonsensical,’ Auden wrote, ‘to waste time trying to identify characters. It is an idiot’s job, pointless and uninteresting.’ Shakespeare’s 154 sonnets are dazzling puzzles,

Marcus Berkmann

Dying of laughter

Marcus Berkmann on the few genuinely funny books aimed at this year’s Christmas market It’s a worrying sign, but I suspect that Christmas may not be as amusing as it used to be. For most of my life, vast numbers of so-called ‘funny’ books have been published at around this time of year, aimed squarely at desperate shoppers lurching drunkenly into bookshops on 24 December, still looking for the perfect present for someone they don’t much like. But this year there aren’t anywhere near as many. Perhaps they stopped selling. Maybe the QI Annual and Schott’s Almanac saw them off. Or maybe it just dawned on everyone at the same

David Blackburn

The sound of broken glass

What do Evelyn Waugh, Peter Cook and Chris Morris have in common? I would have said ‘irreverence’ and left it at that; but the social scientist Peter Wilkin has written a book on the subject, The Strange Case of Tory Anarchism. What do Evelyn Waugh, Peter Cook and Chris Morris have in common? I would have said ‘irreverence’ and left it at that; but the social scientist Peter Wilkin has written a book on the subject, The Strange Case of Tory Anarchism. It’s an arresting title, not least because it appears to be an oxymoron. But this is not so, according to Wilkin. Tory anarchism is not a political ideology;

Edward Harrison

Brave on occasion

Hitler’s experiences in the Great War have long been shrouded in mystery and controversy, not least because there is relatively little material from that time written by himself. Hitler’s experiences in the Great War have long been shrouded in mystery and controversy, not least because there is relatively little material from that time written by himself. Although Austrian by nationality, he volunteered for the German army in 1914 and served throughout the war in its List Regiment, mostly as a dispatch runner based at regimental headquarters. After he became a celebrity, quite a few former comrades wrote about his war service. Some were enthusiastically positive about Hitler’s military record, others

Saturday

Christopher Meyer

Taking the long view

While Tony Blair emerged from his memoirs as a chameleon of many colours, there is only one George W. Bush in Decision Points. The book reads like the man speaks. If it has been ghosted — and Bush gives thanks to a multitude of helpers — it has been done with consummate skill to preserve the authentic Bush voice. The result will be unexpected, even unwelcome, to many. This is an interesting and readable book, which clips along in short, spare sentences, with frequent flashes of humour. Don’t take my word for it. It has been praised by none other than Bill Clinton. Bush, of course, sets out to put

Christopher Howse

The spur of the moment

A memorable image by André Kertész shows a steam train passing over a high viaduct behind a row of peeling French houses next to a demolition site while a man in a suit and hat with his back to the train walks across the foreground, a mysterious painting-shaped item wrapped in newspaper under one arm. It is a moment caught. The viewer, naturally, tries to connect the disparate elements. And to us it is not merely a moment but a moment in a place, from the past — when steam trains chuffed and men wore hats with suits — in this case 1928 at Meudon, a Parisian suburb. In this

Jonathan Mirsky

Charmed out of their minds

David Cameron probably didn’t need reminding while he was in China what fools intelligent people can be when they visit authoritarian regimes. David Cameron probably didn’t need reminding while he was in China what fools intelligent people can be when they visit authoritarian regimes. ‘Useful idiots’, as Lenin didn’t say, they make allowances for dishonesty, even horrors, which they never would at home, express guilt for the past of their own countries, use words like ‘progress’ for the place they are briefly visiting, and accept at face-value hospitality and words which normal consideration would tell them were well-rehearsed and manipulative. Patrick Wright, a journalist and historian, describes the three ‘missions’

Philip Ziegler

How we roared!

To most people Christopher Plummer means Captain von Trapp in The Sound of Music. Plummer would not be in the least ashamed by this. A year or so ago he found himself forced to watch the film at a children’s Easter party: The more I watched, the more I realised what a terrific movie it is. The very best of its genre — warm, touching, joyous and absolutely timeless. Here was I, cynical old sod that I am, being totally seduced by the damn thing — and, what’s more, I felt a sudden surge of pride that I’d been a part of it. It is an odd book, though. The

Saturday

Peter Hoskin

BOOKENDS: Flesh and blood

Flesh. Lots of flesh. That was the simple promise of a Hammer horror film. In this collection of classic Hammer posters (The Art of Hammer by Marcus Hearn, Titan, £24.99) we have cleavages, writhing torsos and shining thighs aplenty. But it’s not just that kind of flesh. Over most of our female subjects leers a monster (usually played by the magisterial Christopher Lee), threatening to butcher their curves and leave behind a carcass. Little wonder that the blood-red acrylic is applied so liberally. More interesting, although generally less striking, are the posters that don’t follow the formula. The horribly sensationalist advert for The Camp on Blood Island (1958) carries the

Philip Hensher

The man and the myth

Tolstoy’s legend is not what it was; but sometimes the world needs idealised versions of ordinary men, argues Philip Hensher The truism that Tolstoy was the greatest of novelists hasn’t been seriously questioned in the last century. The nearest competition comes from Proust and Thomas Mann, I suppose. But when you compare two similar moments in the writings of Tolstoy and one of these other supreme novelists, a difference emerges. Both War and Peace and In Search of Lost Time culminate in a glimpse of the next generation. In Proust, the two irreconcilable worlds of the novel, the Guermantes ‘walk’ and the ‘walk by Swann’s place’ meet surprisingly, at the

Nicky Haslam

Deadlier than the Mail

This is an effervescent, elegantly written and faultlessly researched romp through the life and times of someone whose name in Britain was spoken with genuine fondness by an urbane few, with self-righteous anger by some and with disdain or fascination by almost everybody who can read — as, like it or not, very few people don’t enjoy gossip. This is an effervescent, elegantly written and faultlessly researched romp through the life and times of someone whose name in Britain was spoken with genuine fondness by an urbane few, with self-righteous anger by some and with disdain or fascination by almost everybody who can read — as, like it or not,