Exhibition

An ouroboros of vacuity that is immune to its own failure: Kaws online at the Serpentine Gallery

The second most interesting thing about this digital exhibition is that it is not for art critics like me. I first had to download Fortnite, before bumbling through the introductions and menus for roughly half an hour, accidentally playing a match for a few minutes before figuring out how to access the ‘island’ in the game where one sees the exhibition. Once inside, Kaws’s usual character statues and cartoonish abstractions looked much worse than the photos online because my utilitarian laptop doesn’t have the processing power to run the game at high resolution. Needless to say, the recreation of the gallery space in the game is nothing like being in

Glorious: Bernardo Bellotto at the National Gallery reviewed

What is the National Gallery playing at? Why, in this summer of stop-start tropical storms, is the NG making visitors — visitors with prebooked, time-slotted tickets, mind — queue outside and in the rain? Why are its cloakrooms still closed and umbrellas forbidden? My husband had to stash his behind a balustrade on Orange Street. Why, with a 1:45 ticket, were we not through the doors until 2:05? Why make your harassed marshals, doing the best they can, shout ticket times and field questions from furious picture-fanciers? Lousy sort of freedom this. The V&A, by the way, is just as bad. I used to roll my eyes at the ‘it’s