French resistance

Graham Robb deserves to be a French national treasure

This is a ceaselessly interesting, knowledgeable and evocative book about France over thousands of years. Is it at all likely to have been produced by a French writer? Though it’s about some deeply serious subjects, it’s very amusing; it makes no attempt to constrain itself within an overarching theoretical framework; it would be impossible to extract from it a grand statement beginning ‘The French are all…’; it is pragmatic, full of enterprising scholarly initiative and a gift for observation without intruding. Most strikingly, it’s a book about France in which the author has profitably spent a good deal of time outside Paris. Perhaps my experience of French students of their

Has the role of resistance in the second world war been exaggerated?

When in 1941 Winston Churchill famously declared that the newly formed Special Operations Executive, set up to encourage resistance movements, would ‘set Europe ablaze’, neither he nor anyone else could have known the extent of the help the partisans would provide to the liberation of the continent. Nor, indeed, did anyone envisage the fact that not all of them would prove as biddable to Allied wishes as they hoped. As Halik Kochanski shows in her compendious book on the six-year underground war, resisters came in all shapes and sizes, not easily controlled or corralled into categories. She divides her survey into three periods. The first runs from March 1939 and

The elusive adventures of Catherine Dior

When Catherine Dior, one of the heroic French Resistance workers captured by the Nazis, came face to face with her torturer at his trial in 1952, to receive the suggestion from his lawyer that it was a case of mistaken identity, she burst out furiously to the judge: ‘I know what I’m saying. This affair cost people their lives.’ It is one of the very few vivid glimpses we get of her in Justine Picardie’s book. The respected former editor-in-chief of Harper’s Bazaar has tackled what is the most difficult subject for any biographer: a person about whom virtually nothing is known. Claire Tomalin brought it off in The Invisible