‘La Vecchia’ (c.1506) by Giorgione

RA’s Giorgione show is so rich it’s worth returning to several times

19 March 2016 9:00 am

Walter Sickert was once shown a room full of paintings by a proud collector, who had purchased them on the…

'Group IX/SUW, No. 17. The Swan, No. 17' (1914-5) by Hilma af Klint

Is this female Swedish painter a major rediscovery - or a minor footnote?

12 March 2016 9:00 am

In 1896, a group of five young Swedish women artists began to meet regularly in order to access mystical zones…

‘Venus’, 1490s, by Sandro Botticelli

V&A's Botticelli Reimagined has too many desperate pretenders

5 March 2016 9:00 am

When Tom Birkin, hero of J.L. Carr’s novel A Month in the Country, wakes from sleeping in the sun, it…

'Visions of the Hereafter' by Hieronymus Bosch

Hell made fun – the joy of Hieronymus Bosch

27 February 2016 9:00 am

The 20th-century painter who called himself Balthus once proposed that a monograph about him should begin with the words ‘Balthus…

‘The Woodman’s Child’, 1860, by Arthur Hughes

Twee, treacly and tearful: Pre-Raphaelites at the Walker Art Gallery reviewed

27 February 2016 9:00 am

Dear, good, kind, sacrificing Little Nell. Here she is kneeling by a wayside pond, bonnet pushed back, shoes and stockings…

‘Madonna del Parto’ fresco in Monterchi by Piero della Francesca

On the trail of Piero della Francesca

27 February 2016 9:00 am

Piero della Francesca is today acknowledged as one of the foundational artists of the Renaissance. Aldous Huxley thought his ‘Resurrection’…

‘The upper part of the cascade at Hafod’ by John ‘Warwick’ Smith, 1793

How to view the view

20 February 2016 9:00 am

It’s not all picnics and cowslips. You need sense as well as sensibility to appreciate a landscape, says Mary Keen

‘Silent Treatment’ by Andrew Cranston

Part bijou Kiefer, part woozy Vuillard: the paintings of Andrew Cranston

20 February 2016 9:00 am

The ten vignettes that punctuate the white walls of the Ingleby Gallery invite us to step into the many-chambered mind…

‘Portrait of a Young Man’ by Giorgione

Renaissance master? Rascal? Thief? In search of Giorgione

13 February 2016 9:00 am

Question-marks over attribution are at the heart of a forthcoming Giorgione exhibition. Martin Gayford sifts through the evidence

About strange lands and people: ‘Midsummer Eve Bonfire’, after c.1917, by Nikolai Astrup

Nikolai Astrup - Norway’s other great painter

30 January 2016 9:00 am

The Norwegian artist Nikolai Astrup has been unjustly overshadowed by Edvard Munch. But that is about to change, says Claudia Massie

‘The Death of Sardanapalus’, 1846, by Eugène Delacroix

Eugene Delacroix foresaw the future of society not just art

23 January 2016 9:00 am

Delacroix’s frigid self-control concealed an emotional volcano. Martin Gayford explores the paradoxes that define the apostle of modernism

Installation shot of  Michael Craig-Martin's Serpentine exhibition 'Transience'. Photo: Jerry Hardman-Jones

Cool, beguiling, Duchampian set of still lives from Michael Craig-Martin at the Serpentine Gallery

16 January 2016 9:00 am

Michael Craig-Martin has had a paradoxical career. He is, I think, a disciple of Marcel Duchamp. But the latter famously…

Virgin of Sorrows by Jose de Mora (1680 - 1700)

Britain is absent from the V&A’s new Europe galleries. Are they trying to tell us something?

9 January 2016 9:00 am

Before cheap flights, trains were the economical way to discover Europe and its foibles. Personally, I enjoyed the old fuss…

‘The Birth of Christ’, 1896, by Paul Gauguin

Why would a dissolute rebel like Paul Gauguin paint a nativity?

12 December 2015 9:00 am

Martin Gayford investigates how this splendid Tahitian Madonna came about and why religion was ever-present in Gauguin's art

'Leslie and Clodagh Waddington' (1996) by Peter Blake

How pop is Peter Blake?

5 December 2015 9:00 am

Painters and sculptors are highly averse to being labelled. So much so that it seems fairly certain that, if asked,…

‘Lady at the Virginal with a Gentleman’ or ‘The Music Lesson’, 1662–5, by Vermeer

Artistic taste is inversely proportional to political nous

28 November 2015 9:00 am

‘Wherever the British settle, wherever they colonize,’ observed the painter Benjamin Robert Haydon, ‘they carry and will ever carry trial…

‘Untitled’, 1963, by Gillian Ayres

Britain's abstract painters deserve more attention than America's abstract expressionists

21 November 2015 9:00 am

Fifteen million pounds and a hefty slice of architectural vision have transformed the Whitworth from a fusty Victorian art temple…


Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed

24 October 2015 9:00 am

One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…

A novel in paint: Goya's 'The Family of the Infante Don Luís' (1783-4)

Why did Goya’s sitters put up with his brutal honesty?

10 October 2015 9:00 am

Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…

‘Dead Rabbit’, 1962, by Dennis Creffield

On the frontiers of figuration, abstraction and total immateriality

3 October 2015 8:00 am

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

‘Night in Marrakesh’, 1968, by Brion Gysin

Cut-ups, hallucinations and Hermann Goering: the extraordinary life of Brion Gysin

26 September 2015 8:00 am

Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…

Francis Bacon in Paris in 1984

Bacon on the side: the great painter’s drinking partner tells all

5 September 2015 9:00 am

When Michael Peppiatt met Francis Bacon in 1963 to interview him for a student magazine, the artist was already well-established,…

Palpable painting: ‘Scandia’, 1971, Bernat Klein

Sensory overload: Paul Neagu, Anthony Caro and Bernat Klein reviewed

5 September 2015 9:00 am

‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of…


Andrew Marr’s diary: The summer of Corbyn — and other things we didn’t see coming

22 August 2015 9:00 am

This is the Corbyn summer. From the perspective of a short holiday, my overwhelming feeling is one of despair at…

‘Marie-Anne Françoise Liotard with a Doll’, c.1744, by Jean-Etienne Liotard

The forgotten Swiss portraitist and his extraordinary pastels: Jean-Etienne Liotard at the Scottish National Gallery reviewed

8 August 2015 9:00 am

This is not the biggest exhibition at Edinburgh and it will not be the best attended but it may be…