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Tuesday 2 December 2008

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Moving vista

Andrew Lambirth

Wednesday, 8th October 2008

Joan Eardley
The Fleming Collection, 13 Berkeley Street, London W1, until 20 December

The interplay between realism and abstraction that occurred in the 1950s and 1960s in British art gave rise to a number of fascinating paintings as artists struggled to resolve the balance to their own satisfaction. The co-existence of these extremes in the art world had the effect of polarising opinion, yet some of the best solutions were supplied by those who could harness both drives and make them work in a single painting. Joan Eardley (1921–63) was one who mastered enough of both idioms to make an original statement, and who thus took the evocation of landscape to poignant new heights.

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The fall guy

Lloyd Evans

Break out the bunting. Crack open the champagne. Spit-roast the capon and prepare to party. Or, come to think of it, don’t bother.

A perfect cadence

Stephen Pettitt

This year, on 11 December — and I wish more people knew about it than actually do — the American composer Elliott Carter celebrates his 100th birthday.

Forgotten wonders

Andrew Lambirth

Byzantium 330-1454
Royal Academy, until 22 March 2009

Out of the ordinary

Carolyn Bartholomew

Carolyn Bartholomew talks to Tilda Swinton, an actor who has made a career out of being unconventional

Life lessons

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Talking to my dentist, as one does, we discover a mutual enthusiasm for Radio Three’s Composer of the Week (Monday to Friday) and especially its presenter, Donald Macleod.