A daunting experience
Tom Hollander’s first meeting with a theatrical agent didn’t turn out quite how he expected
It was the late Eighties and it paid to be brash. But I wasn’t brash I was green. Just down from university and wearing a second-hand double-breasted suit I had a meeting with London’s Most Powerful Agent. On Wall Street, Gordon Gekko. In Soho, Michael Foster. A man whose legendary temper had caused him, telephone in hand, to break his own finger while dialling. The extent of his rages were matched only by the size of the deals he got for his actors — deals rumoured to be so huge that other actors binge-drank at the thought of them.
A week before, I had received a note while backstage at Richmond Theatre, halfway through a performance of the amusingly titled Sheep Go Bare (the 1988 Cambridge Footlights Revue). It was the kind of note young actors want to get from powerful agents. It was scrawled in red ink. It said: ‘You’re great. Call me.’
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Anon ymous
February 21st, 2008 9:19pmI used to work for Michael Foster and that is all frighteningly accurate.
Yvonne
February 22nd, 2008 2:05pmI saw the second episode of ‘Freezing’ last night and thought it was very funny. What a perfectly grotesque character Leon is. He's like a petulant 5 year old with the added self centeredness of a cat. Everything belongs to him and everything gets done his way. And if it doesn't, he'll shout and whine until it does. It’s amazing that people like that actually exist. They don't really. Do they?