Uncle Vanya
Rose Theatre, Kingston
The Death of Margaret Thatcher
Courtyard
At last the Rose has burst into bloom in Kingston. Luckily I allowed myself twice the suggested 40 minutes to get there from Waterloo. It took me quarter of an hour to extract a ticket from the computerised machines, which have been brilliantly programmed to be thicker and slower than human beings. On reaching Kingston I got instantly lost in a jungle of contradictory signposts. Best advice, make for Kingston Bridge (visible from outside the station), turn upstream and walk for three minutes along the riverbank. And there you are. Peter Hall’s new theatre is a modernist redoubt arranged across three floors. The lobby and bar have been designed with no inventiveness or artistry. The builder has been ordered simply to create the largest possible enclosure for the smallest sum of money. It’s bleak. Nihilistic materials are Meccano’d together and bask in their nakedness; copper pipes snake across bare concrete; shadeless lights swing from exposed wires; glittery mesh connects steel banisters to the stairs. The outside walls are glass, the internal ones breeze block, and the floorboards are made from some queasy functional woodstuff. Perhaps this chicken-coop chic is part of some bracing design revolution but it reminded me of the pool-room on an oil rig. Inside, the auditorium is much more inviting although for some reason it’s painted a mulish dark grey. The floorboards seem pleasingly bright and the stage is very wide and set low down so that you feel close to the action even if you’re at the rear of the stalls. The disc-shaped design, based on Shakespeare’s Rose, achieves a highly successful marriage between spaciousness and intimacy. Just in front of the stage there’s a small clearing reserved for students and cheapskates who pay £7 a ticket. Unlike the Globe, where standing is enforced by capos with cattle-prods, sitting is encouraged. But bring your own cushion or you’ll pay an extra £3 for the hire of a skinny foam bum-rest.
More articles from: Lloyd Evans | this section
Post this entry to: del.icio.us | Digg | Newsvine | NowPublic | Reddit
Advertisement
This year, on 11 December — and I wish more people knew about it than actually do — the American composer Elliott Carter celebrates his 100th birthday.
Byzantium 330-1454
Royal Academy, until 22 March 2009
Carolyn Bartholomew talks to Tilda Swinton, an actor who has made a career out of being unconventional
Talking to my dentist, as one does, we discover a mutual enthusiasm for Radio Three’s Composer of the Week (Monday to Friday) and especially its presenter, Donald Macleod.
The TV programmes you watched as a child are like acid flashbacks.
Sybil Thorndike: A Star of Life, by Jonathan Croall
Boris Godunov
English National Opera
La rencontre imprévue
Guildhall School of Music and Drama
Spectator readers respond to recent articles
Notes from Walnut Tree Farm, by Roger Deakin, edited by Alison Hastie and Terence Blacker
Fifty People Who Buggered Up Britain, by Quentin Letts
Subscribe to Sky from £16 a month. Get free equipment and free broadband - Join Now. Sky HD - be amongst the first to have it - order now.
Subscribe to Sky from £16 a month. Get free equipment and free broadband - Join Now. Sky HD - be...
PORTA METRONIA, ROME Standing high on the top of one of the seven hills of Rome- the Coelian- this unique
ROME and PARIS: over 350 holiday rentals apartments listed: visit www.romanreference.com and www.parisreference.com or call +39 0648 903612.
Goldsmiths by Design Welcome to Ruffs! You have found a company of Goldsmiths that specialises in the manufacture, amongst other
Spectator Business | Apollo Magazine
Corporate | Advertising | Privacy | Terms
Spectator, 22 Old Queen Street, London, SW1H 9HP
All Articles and Content Copyright ©2008 by The Spectator | All Rights Reserved