Tinderbox
Bush
The Year of Magical Thinking
Lyttelton
At the Lyttelton Vanessa Redgrave has created a monumental portrait of grief in The Year of Magical Thinking. Joan Didion’s bereavement memoir sold stackloads in America but did less well over here. It starts abruptly one evening in 2003 when the novelist’s husband drops dead in front of her. She’s plunged into instant denial followed by months of mental turmoil which takes her to the brink of madness. Her husband was a celebrated screenwriter and when the LA Times phoned asking her to confirm his death she hesitated. ‘LA is hours behind New York. Maybe he isn’t dead there yet.’ Her daughter, by a ghoulish coincidence, was also in hospital having fallen into a toxic coma. Didion ordered the TV in her room to be turned off lest she wake to the bad news about her dad. Returning a day later she found the television’s mute screen plastered with a notice: ‘Father dead. No TV.’
The monologue is at times hard to engage with because it requires an intricate knowledge of America. You have to guess, for example, what NRP is and only when you learn that its breakfast show is called ‘Morning Becomes Eclectic’ do you realise it’s a cross between Woman’s Hour and Poetry Please. And Didion’s reverence for her own experience becomes a touch stifling. One longs for a dash of healthy cynicism. A British author faced with bereavement doesn’t say, ‘How will I get through this?’ but ‘How many words will I get out of it?’
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