Martin Gayford on his exhibition of Constable portraits.
‘Lost’ in this context sometimes has a particular meaning. When my daughter was about eight she briefly vanished from adult surveillance. When located and asked how this had happened, she replied accusingly, ‘I wasn’t lost, I was forgotten about.’ Something similar can happen to art, in two ways.
Firstly, private owners are under no obligation to inform the world of scholarship of what they’ve got. So they may be perfectly well aware that they’ve got a Watteau hanging on the drawing-room wall. Simultaneously, the same item may be discussed in scholarly journals and PhD theses, without the authors of those texts having the slightest idea of where the picture actually is.
Then, of course, the owner of a Monet or Gainsborough has every right to sell it to someone else, without notifying any art historian of the transaction. Even if they don’t, eventually in the natural course of events they will die and leave the thing to someone else.
At that point, a common trait in human psychology may kick in. That is, a refusal to believe what seems to be too good to be true. That kind of process explains why, for example, some years ago two fine Canalettos emerged from a garage in South Africa. They had been bought, attributed to Canaletto, by the father of the man who stored them with his car. But the latter had obviously not believed — or forgotten —- that information.
The world — or at least Britain — seems to be full of lost Constables. They appear all the time. We’ve got one in our exhibition. It isn’t a picture we were looking for, or indeed that anybody previously knew existed. It just popped up last year on the art market, which wasn’t an unusual event.
More articles from: Martin Gayford | this section
Post this entry to: del.icio.us | Digg | Newsvine | NowPublic | Reddit
Advertisement
It all started earlier this year, when my friend Chris managed to get four tickets for the first Leonard Cohen concerts at the O2.
The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions
Metropolitan Museum, until 1 February 2009
Qatar’s Museum of Islamic Art
Oleg Vassiliev: Recent Works
Faggionato Fine Arts, 49 Albemarle Street, London W1, until 23 January 2009
Saul Steinberg: Illuminations
Dulwich Picture Gallery, until 15 February 2009
Cartoons & Coronets: The Genius of Osbert Lancaster
The Wallace Collection, until 11 January 2009
My favourite programme last week was France on a Plate (BBC4, Sunday) in which Dr Andrew Hussey investigated the link between gastronomy and la gloire; French glory and destiny.
Les Contes d’Hoffmann
Royal Opera
Der fliegende Holländer
Barbican
The TV programmes you watched as a child are like acid flashbacks.
Paths to Fame: Turner Watercolours from the Courtauld
Courtauld Institute, Somerset House, WC2, until 25 January 2009
Selina Mills on how some newly discovered tapes give us a glimpse into the life of Agatha Christie
Subscribe to Sky from £16 a month. Get free equipment and free broadband - Join Now. Sky HD - be amongst the first to have it - order now.
Subscribe to Sky from £16 a month. Get free equipment and free broadband - Join Now. Sky HD - be...
PORTA METRONIA, ROME Standing high on the top of one of the seven hills of Rome- the Coelian- this unique
ROME and PARIS: over 350 holiday rentals apartments listed: visit www.romanreference.com and www.parisreference.com or call +39 0648 903612.
Goldsmiths by Design Welcome to Ruffs! You have found a company of Goldsmiths that specialises in the manufacture, amongst other
Spectator Business | Apollo Magazine
Corporate | Advertising | Privacy | Terms
Spectator, 22 Old Queen Street, London, SW1H 9HP
All Articles and Content Copyright ©2008 by The Spectator | All Rights Reserved