The X-Files: I Want to Believe
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It’s one, big, juicy cliché, and even begins, as countless thrillers do, when Mulder is summoned out of retirement — you’re the only man for the job! — by the FBI because a female agent is among women being kidnapped in a wintry patch of rural West Virginia, where body parts are turning up under the snow. The divining rod is Father Joe (Billy Connolly), a visionary psychic who is also a former priest, defrocked for abusing altar boys. Quite what the paedophilia — The Paedo-Files? — has to do with anything, I couldn’t say, just as there is no accounting for so much of what happens. The film’s ambition may well be to ‘stand alone’ but, alas, it doesn’t even stand up.
Now, where were we, as if we care, which I’m not sure we do, but come on. It was my 104 minutes and I’ve got to get something out of it. OK, Mulder is, of course, joined by Scully, who now works as a hospital surgeon, which is cool, but who is also the dreariest, most humourless woman ever, which is not so cool. As for the famed ‘sexual chemistry’ — nope, nothing, not a squeak. He’s sullen; she’s a pain; and Duchovny and Anderson act with such little energy it is as if they can’t be bothered. They’re even in bed together at one point — is that a big thing?; I don’t know — and it’s as if they can’t be bothered. If you are after ‘chemistry’, you’d be better off in Boots.
Although the first half of the film keeps it together to a certain extent — although not to a great extent — the latter half spins off into a great shambles of awfulness and implausibility. One of the baddies is a human organ transporter who is stealing the organs, and has been doing so for a considerable time. Well done to the FBI for finally figuring this out, but hang on: didn’t any of the hospitals due to receive the organs alert anybody that they hadn’t turned up? Wasn’t the patient, stretched out and waiting for his or her new heart, a little annoyed? The baddies, by the way, are all Russians with bad teeth. Should I ever find myself in LA, I am determined to stand outside all the major studios with a loudhailer, shouting, ‘The Cold War is over! No, seriously, it is!’ And, depending on how I am feeling, I might then add, ‘And they do have dentistry in Russia, you know!’
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If you don’t mind — yeah, like you’ve any choice in the matter — what I thought I’d do for this New Year column is to do just enough TV for the editor not to want to sack me, then move swiftly on to the stuff my hardcore fans prefer, namely the rambling and shameless solipsism.
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Andreas
August 5th, 2008 2:26pmWhy send some feinschmecker zombie to review a "sci-fi" movie when she obviously has decided beforehand?
Articles, even movie reviews, should be written for the readers not the critics.
laurie macdonell-sanchez
August 6th, 2008 4:16pmI HAVE TO BELIEVE that this movie was an embarrassing & implausible patchwork of a plot punctuated by moments of gratuitous grisliness & relentlessly stone-faced acting. In true Hollywood tradition, the Catholic Church acted as scapegoat with the meany-baddie being the "normal" hospital-administrator priest & the anti-hero being the semi-stigmatic but wholly stigmatized gay priest (actually not a garden variety pedophile based on his "history" as spat out by Scully). As for plopping Russians into the plot, I'm still trying to figure out to which segment of the viewing masses the screenwriters/ producers thought they were pandering. However, many of the former denizens of the Soviet Union who've made it in droves to Western shores haven't endeared themselves by turning their new-found "opportunity" into white slavery rings to supply strip clubs & brothels; hacking/ID theft; commercial fraud & vulgar shakedowns; plus a thriving world market in human organs. And yes, those grungy teeth were unfair. Soviet dentistry USED to mean steel teeth, front & back, for the unwashed masses, IF they were lucky. However, the highly mobile new "Russian" gazillionaires have been sporting pricey veneers for a couple of decades now.