True North: Travels in Arctic Europe, by Gavin Francis
This is an old-fashioned travel book of the linear variety. Roaming the northern fringes of Europe with a tent and a nose for a story, Scottish doctor Gavin Francis looks beyond the icebergs and the stunted willow seeking ‘a back country of the imagination where myth and reality intertwined’. Beginning at Unst, the northernmost of the Shetlands, Francis sets out to ‘follow a route that Europeans had taken towards what they once saw as the very limits of the world’. Heading by ferry to the Faroes, he continues to Iceland, Greenland, the snowy hinterland of Scandinavian Finnmark, and finally Svalbard, the Norwegian archipelago that includes Spitzbergen.
The format is simple: a well-whipped blend of history and travelogue. For his central theme, Francis homes in on the role northernmost Europe has played as the focus for human voyages and dreams, and as such, True North is a journey through time as much as space. Taking an impressionistic, as opposed to comprehensive, approach, the author marches through the chronology, picking off the choicest vignettes to create a panorama of Arctic Europe from about 1000 to 1500, with interludes from later centuries. Along the way he pauses to dilate on — among other topics — the tricks of translating the eight-line drottkvaett stanza of the sagas; the 15th-century slave trade in Icelandic children (most of the poor buggers ended up in and around Bristol, Hull and Lynn); the migrations of the Saami; and the origins of the half-man, half-spirit qivitoqs who lurks on the top of Greenlandic mountains.
A vibrant cast of walk-on parts includes Herodotus, the Czech playwright, Karel Capek, who took refuge in Lapland in the 1930s, and Fridtjof Nansen, the polar explorer’s polar explorer. ‘In his character’, Francis writes of the titan, ‘was concentrated all the hunger of mankind to push out beyond the horizons of the known world . . . Nansen represented for me the archetype of so many men I had followed in my journey.’ Deploying a combination of restraint and descriptive flair, Francis conjures the massed tents and booths of Thingvellir as thousands gathered in its volcanic amphitheatre for the debates of the medieval Icelandic parliament, the contemporary Russian coalmining settlement of Barentsburg on Svalbard, a resolutely Soviet Arctic outpost frosted with ice and black dust, and, everywhere, the brooding presence of the Vikings. Much of this ground was covered by Joanna Kavenna in her 2005 book The Ice Museum: In Search of the Lost Land of Thule; but Francis has made it his own, and anyway the Arctic has infiltrated the zeitgeist now.
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