Frederic Raphael
Caesar’s own greatest triumph was celebrated in 46 BC when it seemed that he had no enemies left to defeat, but spin required that its magnificence should not seem to crow over fallen Roman citizens. All the same, one of the tribunes refused to stand as Caesar was wheeled past his seat, a hint of the resentments that would culminate in Caesar being knifed (as the soap-opera plot required) at the foot of Pompey’s statue.
Caesar’s last triumph was a cardinal moment. Previously, patrician grandees used such occasions to ‘give back’ to the Republic what its armies had gleaned under their command. Buggins’s turn allowed one victorious general after another his moment of triumph. But with the coming of the empire, only the emperor himself could be seen as the benefactor of the Roman people. What had once celebrated a national triumph was appropriated as an advertisement of the imperial regime. Buggins still sat in the Senate, but never again in a triumphal car.
With snappy scorn, Professor Beard approaches the unevenly evolving process of what ‘Roman men (and I mean men)’ got up to when on their highest horses. While she is very good on the way in which the triumph became showbiz and, with its monumental parades, headlined arches and rented eulogists, prefigured the modern spin-doctored Historical Event, her refusal to be impressed becomes itself triumphant. Rather as Ovid parodied the triumphal vocabulary in affecting subjection only to love’s chariot, Beard mocks the long tramp of Roman militarism.
Her whole drive is to mount a feminist triumph over those 320 triumphators and anyone who dares to question her intellectual imperium. Hence the train of amici whose important names warn off the critical; hence the bibliographical intimidation (odd that Paul Veyne, and his magnum opus on bread and circuses, should be uncited); hence the blurb that reminds us not only of her Cambridge chair, but also of her proconsular control of the TLS classics section: who crosses Beard, we are warned, would better cross the Rubicon. If only her prose marched with a classier step, if only the clichés, excessive adverbs, repetitions and solecisms had been dismissed the service, how wholeheartedly she might be cheered on her way! As it is, one tribune at least feels obliged to remain seated.
Post this entry to: del.icio.us | Digg | Newsvine | NowPublic | Reddit
Advertisement
The Politics of Official Apologies, by Melissa Nobles
Just What I Always Wanted: Unwrapping the World’s Most Curious Presents, by Robin Laurance
The British in France: Visitors and Residents since the Revolution, by Peter Thorold
James Robertson Justice: What’s the Bleeding Time? by James Hogg, with Robert Sellers and Howard Watson
From the Front Line: Family Letters & Diaries, 1900 to the Falklands & Afghanistan, by Hew Pike
Build your own Sky package online. Sky TV, Broadband & Talk only £16.
Sky TV & free broadband packages available from £16 a month. Choose from a standard free sky box, sky plus or sky hd.
Build your own Sky package online. Sky TV, Broadband & Talk only £16.
Sky TV & free broadband packages available from £16 a month. Choose from a standard free sky box, sky plus...
PORTA METRONIA, ROME Standing high on the top of one of the seven hills of Rome- the Coelian- this unique
ROME and PARIS: over 350 holiday rentals apartments listed: visit www.romanreference.com and www.parisreference.com or call +39 0648 903612.
Goldsmiths by Design Welcome to Ruffs! You have found a company of Goldsmiths that specialises in the manufacture, amongst other
Spectator Business | Apollo Magazine
Corporate | Advertising | Privacy | Terms
Spectator, 22 Old Queen Street, London, SW1H 9HP
All Articles and Content Copyright ©2008 by The Spectator | All Rights Reserved
Terry Collmann
November 22nd, 2007 6:08pmSaucer of milk for Mr Raphael ...
Kate
December 22nd, 2007 2:02pmAt least Mary Beard is legible and vaguely coherent.
Chris Franklin
January 11th, 2008 12:57pmpompous, or what?