Sunday 7 September 2008

 

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Clemency Burton-Hill
Clemency Burton-Hill

Clemency suggests


Poe: A Life Cut Short

A great writer and drinker

Peter Ackroyd
Chatto, 170pp, £15.99,
Sam Leith
Wednesday, 23rd January 2008

Sam Leith on Peter Ackroyd's latest book

When Edgar Allan Poe bumped into a friend in New York in 1845, according to Peter Ackroyd’s brisk new life, the following exchange took place. ‘Wallace,’ said Poe, ‘I have just written the greatest poem that ever was written.’ ‘Have you?’ said Wallace. ‘That is a fine achievement.’ ‘Would you like to hear it?’ said Poe. ‘Most certainly,’ said Wallace. Thereupon Poe recited the verses of ‘The Raven’.

This lovely little cameo — halfway to being a sketch from The Fast Show — is all the funnier for the fact that the joke is not entirely on Poe. Though maybe not the greatest poem ever written, ‘The Raven’ really was pretty spectacular. Poe knew it. Beset though he constantly was by gloom and despair, his claims for his own art were not small — and were not on the whole misguided.

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Rev. Garet Aldridge

January 25th, 2008 12:16pm

May I also strongly recommend "Private Perry and Mr. Poe" by the late and heroic Major William F. Hecker? This tome gives wonderful insights into the poet's West Point years and, perhaps, further explanation of the discipline with which he wrote.

James Jeffrey Paul

January 25th, 2008 5:55pm

Poe's genuis and influence on so many aspects of the literary arts can't possibly be overstated. I look forward to reading Mr. Ackroyd's book on Poe--he's a master of his own art (the biography).

Robert Coates

January 25th, 2008 7:43pm

The concluding paragraph seems to sum it up - if this is the most interesting fare on offer, best to stick to the work itself (which is hardly mentioned in this review at all)

Laurie

January 26th, 2008 3:38am

Extraordinary art comes as often from extraordinary lives as from extraordinary talent. It seems strained personal relationships, sexual oddity, substance abuse and financial desperation, in various combinations have powered a majority of literary talent from (at least) Swift, through Dostoevsky to Joyce and Behan. Perhaps that is why so much of the modern fiction produced by graduates of all those creative writing courses, while often interesting and well crafted, appears to lack something essential. The concept of suffering for your art is out of fashion (well in the West at least, pace Promoedya Ananta Toer et al.)

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