John Ford was a far better director than Ingmar Bergman
Sixteen years ago I got together with a group of like-minded friends and started a magazine called The Modern Review. Its premise was that popular culture is as worthy of serious critical attention as high culture and, to that end, we commissioned intellectuals and academics to write about the likes of Madonna and Arnold Schwarzenegger. Believe it or not, this was a fairly radical idea back in 1991 — though not a wholly original one — and the magazine caused quite a stir. The previous generation of writers and critics attacked us on an almost weekly basis.
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In the first of an occasional series of interviews over meals, Deborah Ross talks to Dominic West about The Wire and the challenge to an Old Etonian of playing an American cop
My defining memory of Michael Jackson — vulnerable, brilliant, otherworldly — is of watching him dance to the soundtrack of a movie.
The news cycle of a dead celebrity is a curious thing.
Rod Liddle says that metropolitan liberal ideology is too deeply ingrained in local councils, social services and the judiciary to be overturned by one panic measure driven by Labour’s sudden fear of the BNP
Cass Sunstein — co-author of the hugely influential Nudge and an adviser to President Obama — unveils his new theory of ‘group polarisation’, and explains why, when like-minded people spend time with each other, their views become not only more confident but more extreme
Let’s not get too worked up if Guy Gibson’s dog ends up with a PC name
Simon Hoggart looks back over recent television broadcasts
Rachel Johnson celebrates the return to the rubbish holidays, bad cars and basic food of the 1970s. Scrimping is more fun than splurging
Alexandra Starr discovers that in Manhattan expecting a baby is all about you and your performance, rather than the child: doctors and websites give the mother-to-be no quarter
What is it with snowdrops? Why do people make so much fuss about them, when they are so small and relatively insignificant?
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