Dianna Rigg on the joys of being out of work and why she is a fatist
For a time, when my parents were abroad, my brother and I spent our holidays with Granny. She had bright blue eyes, curly white hair and a rounded, cuddly figure, all of which belied her nature which was crabbit in the extreme. Every evening I was bidden to walk round the block with her, arm in arm, and whenever we passed a house where the curtains weren’t drawn I was forced to linger, in an agony of embarrassment, until Granny had gazed her fill. I hated her behaviour and ever since have had a horror of that kind of curiosity. On being informed that there are 1,150,000 websites on the internet which contain my name, to which (apart from quotes) I have not contributed a word, Granny and the horror were resurrected. I find it inexplicable that anyone would actually want to post details of their lives and career online at all. Presumably it’s to encourage fans and feed their curiosity. How Granny would have loved the internet.
One of the joys of being out of work — and cross my heart I really do enjoy it — is the freedom in the evenings to go to the theatre and watch my fellow thesps strut their stuff. Programmes nowadays are much more interesting than they used to be — and so they should be at the price charged! But I am always amazed by how much detail some actors stuff into their biographies. Parts in obscure or long-forgotten plays are listed and appearances at long-dead repertory theatres. Some years ago when I appeared at the National with Dennis Quilley I got bored with having to press rewind and simply contributed: ‘Diana has been around for a long time and married to Dennis Quilley seven times.’ I am now toying with a better idea: the insider story. For example: ‘The last production Diana appeared in was with X (and what a pompous ass he turned out to be), directed by X (well, he might call it direction but the actors tell a different story), designed by X (I will never forgive her for that monstrous dress she put me into), lighting by X (otherwise known to the cast as The Prince of Darkness)’, etc. Think what fun reading a programme would be.
Thank goodness it is winter and I am spared the sight of huge women waddling the streets of London in leggings or hipsters with rolls of fat escaping from over-stretched clothing. Last summer, on Ken High Street, I got an eyeful of crack for Chrissake. We all have our weaknesses, I smoke and am not proud of it, but Fat Pride has a lot to answer for on the question of aesthetics. Hands up, I am fattist.
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Nev Parker
January 12th, 2008 10:13pmNot long after becoming my own 'Boss', many years ago and then starting to employ people, hence I became very interested in their work rituals, I gradually formed the conclusion that fat people were slower workers and passed them up in favour of more average bodies. Well before Public opinion agreed with me I also found that smokers also were time wasters, with the anti-discrimination laws in Australia I had to keep these conclusions to myself. Later on I found that, generally speaking, young people who came from regular 'Mum and Dad' still married parents were mostly better adjusted individuals and had a few abstract interview questions to try and determine this aspect. So if you were fat, smoked and had a strange parentage you didn't get to work for me. I probably missed out on some good people but my formula meant that the ones I chose were all solid, honest well adjusted workers
Scratch Schillinger, Germany
January 16th, 2008 11:11pm@dian(n)a: So why are you a fatist? I certainly wont buy the magazine to be insulted. @Nev Parker: you could say the same about women, or Mexicans, or some other group. Generalization is never correct. I for one, think that in Australia only live convicts.
David Tobor
February 13th, 2008 5:18amHmmm. Leaving no stone unturned, I must ask what the difference is between "an article" on a web to one that is placed in a magazine or book? If it isn't news then aren't you giving some insight of yourself?