Ermyntrude and Esmeralda was written in 1913 but not published until 1969, long after Lytton Strachey’s death. The delay was not surprising: the book consists of an exchange of letters between two naïve 17-year-old girls who are determined to find out where babies come from. Ermyntrude theorises that ‘it’s got something to do with those absurd little things that men have in statues hanging between their legs’, and reports to her eager correspondent that
Once, when I was at Oxford, looking at the races with my cousin Tom, I heard quite a common woman say to another, ‘There, Sarah, doesn’t that make your pussy pout?’ And then I saw that one of the rowing men’s trousers were all split and those things were showing between his legs.
Strachey dedicated the little volume to the artist Henry Lamb, with whom he was at the time in love, writing to him: ‘Will you believe me when I tell you that I have begun and got well under way with a new facétie? … but I see all too clearly that it’s a mere putting off of the worst moment.’ The ‘worst moment’ was the start of work on ‘Cardinal Manning’, the first of his Eminent Victorians.