Showing 1-20 out of 10
It’s good to be back in the unspeakable awfulness of Slough House, the decaying London office block in which the security service’s rejects do battle not only with the nation’s enemies but also with each other. Clown Town is Mick Herron’s ninth novel in the series, though he has explored different aspects of Slough House’s
Cock’s bones! This is a most wonderly historical novel, the very reverse of a wind-egg. It tells the story of Lambert Simnel, the youthful figurehead of a Plantagenet uprising against Henry VII in 1487. The historical Simnel is an elusive figure, and most of what little we know comes through Tudor propagandists. Jo Harkin fills
Publishing is a business. Authors are its brands and books its products. When, as sometimes happens, one of the bigger brands inconveniently dies or retires, there’s an understandable desire to keep the brand going and to attach its lucrative name to new products. And why not? If it’s done well, everyone benefits – publishers, readers
So you’d like to borrow half-a-billion dollars? It’s a tribute to the epic ambitions of this novel that the reader swallows questions like this without blinking. In a sense that’s fair enough because City in Ruins is the third book of a trilogy loosely modelled on the great poems of the classical world, particularly the
One of Joseph O’Connor’s strengths is his magpie-like approach to history: he plunders it for stories that he can rework as fiction. His new novel is based on the exploits of Monsignor Hugh O’Flaherty, a senior official at the Vatican, who, together with colleagues, was responsible for saving the lives of 6,500 Allied soldiers and
What a weird lot crime writers are. I don’t come to this conclusion lightly, since I’m a crime writer myself, but on the evidence of this magisterial but wickedly entertaining book the conclusion is inescapable. As you turn the pages, the evidence mounts up. One crime writer has been considered a serious candidate for sainthood
Time was when historical fiction conjured images of ruff collars and doublets, with characters saying ‘Prithee Sir’ a lot. Nowadays, the range of featured period settings has expanded unrecognisably, though a new favourite has emerged – the second world war, where Nazis stand in for nefarious noblemen. The Darkest Winter by Carlo Lucarelli, translated by
Never, never kill the dog. It’s rule one in the crime writer’s manual. Cats are bad enough, as I can testify, having once had the temerity to behead a cat — in a novel, I mean —and then crucify the mutilated corpse upside down on a church door. As a general rule, if you kill
It has been 15 years since the last Richard Sharpe novel, and it’s a pleasure to report that fiction’s most famous Rifleman is still thriving, miraculous as that may seem after his long and suicidally dangerous career. Sharpe, a foundling child from the East End of London, brings street fighting skills to the business of
Like a basking shark, Val McDermid once remarked, a crime series needs to keep moving or die. The same could be said of crime writers themselves, who work in a genre that has an inbuilt tendency to encourage repetition, often with dreary results in the long term. McDermid herself, however, has a refreshing habit of