Laura Gascoigne

Beguiling: Yinka Shonibare, at the Serpentine Galleries, reviewed

Plus: a multicultural mise-en-scène at Houghton Hall that really works

‘Decolonised Structures (Frere)’, 2022, by Yinka Shonibare. Credit: Photographer: Stephen White & Co. © Yinka Shonibare CBE

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in