Despite its widespread rating as one of his masterpieces, Frederick Ashton’s Cinderella is chock full of knots, gaps and stumbling blocks – all of which the Royal Ballet’s new production throws into relief. Ashton isn’t altogether to blame: Prokofiev’s graphic score dictates an excessive amount of time given over to knockabout for the Ugly Sisters (mostly a matter of them bumping into each other) and a tiresome court jester.
Already a subscriber? Log in
Keep reading with a free trial
Get your first month free when you subscribe. After that it’s just £1 a week for full website and app access. There’s no commitment, you can cancel any time.
Offer ends in:
${days} days ${hours} hrs ${minutes} mins ${seconds} secs
Or
Comments
Flash sale:
10 weeks of unlimited digital access for £1
Join the conversation with other Spectator readers. Subscribe to leave a comment.
CLAIM OFFERGet 10 weeks of online and app access for just £1. That's a saving of more than 80% off the usual rate.
Already a subscriber? Log in