Richard Bratby

Powerful and beguiling: Innocence, at the Royal Opera House, reviewed

Plus: a striking production of an operatic dud at ENO

Chloe Lamford's bold, simple set for Innocence at the Royal Opera House. [Image: © Tristram Kenton] 
issue 29 April 2023

The big London companies gave two UK premières in the space of a week, both dealing with the subject of teenagers being shot dead. Kaija Saariaho and Sofi Oksanen’s new opera Innocence was premièred at the Aix-en-Provence Festival in 2021 and comes to the Royal Opera in exactly the same production by Simon Stone, the Australian director responsible for that lockdown favourite The Dig as well as a shattering staging (in Munich, in 2019) of Korngold’s Die tote Stadt.

Innocence is a series of elastoplasts being pulledoff very slowly

So Innocence was never likely to pull its punches.

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