From the magazine

Why was this fêted Mexican painter left out of the canon?

It’s to the National Gallery’s great credit that it’s championing Jose Maria Velasco, a little-known polymath whose quietly complex paintings encapsulate his native land

Joanna Moorhead
‘The Valley of Mexico from the Hill of Santa Isabel’, 1877, by Jose Maria Velasco © REPRODUCCIÓN AUTORIZADA POR EL INSTITUTO NACIONAL DE BELLAS ARTES Y LITERATURA. PHOTO: FRANCISCO KOCHEN
EXPLORE THE ISSUE 22 March 2025
issue 22 March 2025
GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in