The singing made me seasick: ETO’s Don Giovanni reviewed
One of these days I will probably see a production of Don Giovanni set in a research station in the…
Get me to an opera house: Aida On Sydney Harbour reviewed
In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…
Delibes’ Lakmé at Holland Park is visually soporific, but the singing keeps Geoff Brown awake
These are nervous times at the opera. When should we expect the gratuitous rape scene? Will the director relocate the…
ENO’s Queen of Spades: I wanted to grab David Alden’s production by the neck and shake out its silly clutter
The opera director David Alden has never been one to tread the straight and narrow. Something kinky would emerge, I’m…
Il turco in Italia, Royal Opera House, reviewed: bring sunglasses
Big slats of orange, burning yellows, an Adriatic in electric blue: I wish I’d bought my sunglasses to the Royal…
Is Anna Nicole’s absurd life worth our while? Not as much as Otello’s
So how did London’s two big opera companies launch their new seasons last week? Not perhaps in the way you…
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