Arts

‘A Cellar Dive in the Bend’, c.1895, by Richard Hoe Lawrence and Henry G. Piffard

A short history of flash photography

18 November 2017 9:00 am

A short history of flash photography, by Kate Flint

The head of Jeremy Bentham, who died in 1832

What can we learn from Jeremy Bentham’s pickled head?

18 November 2017 9:00 am

Under the central dome of UCL — an indoor crossroads where hordes of students come and go on their way…

Christian Slater is mesmerising: Glengarry Glen Ross reviewed

18 November 2017 9:00 am

David Mamet’s plays are tough to pull off because his dialogue lacks the predictable shapeliness of traditional dramatic speech. He…

‘Les Modes se suivent et ne se ressemblent pas’, 1926, cover design for Harper’s Bazaar

The time is right for an Erté revival – a new hero for our gender-anxious times

18 November 2017 9:00 am

Erté was destined for the imperial navy. Failing that, the army. His father and uncle had been navy men. There…

Why local radio is thriving

18 November 2017 9:00 am

It’s 50 years since the first local radio stations were launched by the BBC in yet another instance of the…

Cover illustration for the magazine Garm 1944, by Tove Jansson

A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed

18 November 2017 9:00 am

Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…

Sun readers will be disappointed – E.M. Phwoar-ster it is not: Howards End reviewed

18 November 2017 9:00 am

Any readers of the Sun who excitedly tuned in to Howards End on Sunday night with their pause button at…

She is a severely limited songwriter – and singer: Taylor Swift's Reputation reviewed

18 November 2017 9:00 am

Grade: D+ I was suckered in by the brio of Taylor Swift’s first big single, ‘Love Story’, despite the clunking…

Reducing the heroine to a demented rape victim is just what ballet needs: The Wind reviewed

18 November 2017 9:00 am

A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…

If Annette Bening isn't Oscar-nominated, I'll eat my hat and also yours

18 November 2017 9:00 am

Film Stars Don’t Die in Liverpool is plainly wonderful, and stars Annette Bening, who is plainly wonderful, as Gloria Grahame,…

Embarrassing – but electrifying: Bernstein 100 reviewed

18 November 2017 9:00 am

‘There is something enviable about the utter lack of inhibition with which Leonard Bernstein carries on,’ wrote the critic of…

Before the larp: ‘Just the two of us’, 2013, by Klaus Pichler

The art of larp

18 November 2017 9:00 am

‘It’s all wizards and elves, right? Dungeons & Dragons stuff?’ Such is the general response when you mention larp, or…

François Cluzet as paraplegic billionaire Philippe and Omar Sy as his carer Driss in Untouchable (2011)

Why does so much disabled theatre and film still treat us like victims to be pitied?

11 November 2017 9:00 am

Does disability make a difference to art – or does art transcend disability? Selina Mills reports

I never understood the appeal of Ken Dodd – until now

11 November 2017 9:00 am

It’s always odd to hear a familiar voice on a different programme, playing an alternative role. They never sound quite…

Two great pianists – but who was the headstrong youngster and who was the veteran?

11 November 2017 9:00 am

Debussy’s Prélude à l’après-midi d’un faune begins with a sigh: a long, languorous exhalation played on the lower notes of…

‘Self-Portrait’, 1880–1, by Paul Cézanne

The most impressive array of work to be seen in London in years: Cézanne’s Portraits reviewed

11 November 2017 9:00 am

The critic and painter Adrian Stokes once remarked on how fortunate Cézanne had been to be bald, ‘considering the wonderful…

The left-wing bias on Celebrity Gogglebox was excruciating

11 November 2017 9:00 am

This week I want to put the boot in to Gogglebox (Channel 4, Fridays). Not the mostly likeable, everyday version,…

Stitches in time: detail of ‘Embroidery Design’ by May Morris, worked by May Morris and Theodosia Middlemore, c.1900

Is May Morris a feminist cause – a woman of genius unfairly overlooked?

11 November 2017 9:00 am

You may think you don’t know May Morris, daughter of William, but you’ll probably have come across her wallpaper. Her…

Rarely has the West End seen such a draining and nasty experience: The Exorcist reviewed

11 November 2017 9:00 am

The Exorcist opened in 1973 accompanied by much hoo-ha in the press. Scenes of panic, nausea and fainting were recorded…

Making musical history: Lin-Manuel Miranda and the cast of Hamilton

Why has there never been a hit musical about the history of Britain?

11 November 2017 9:00 am

Why has there never been a hit musical about British history? Iain Hollingshead investigates

The Florida Project never sanctifies or demonises and is absorbing throughout

11 November 2017 9:00 am

The Florida Project is a drama set in one of those cheap American motels occupied by poor people who would…

The forgotten history of the Tube’s ‘poster girls’

4 November 2017 9:00 am

Lara Prendergast celebrates the ‘poster girls’, the little-known women artists who helped to emancipate the London Underground

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Don’t believe the sales figures – DVDs are thriving

4 November 2017 9:00 am

According to the accountants’ ledgers, DVDs are dying. Sales of those shiny discs, along with their shinier sibling the Blu-ray,…

The advantages of turning down the colour knob: Monochrome reviewed

4 November 2017 9:00 am

Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…