Arts

Life after death: Billie Holliday at the Hologram USA Theater

The rise and rise of the holographic tour

23 March 2019 9:00 am

Holographic tours are increasingly big business. Michael Hann on the rise of the posthumous encore

Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed

23 March 2019 9:00 am

Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…

Tom Hiddleston in Betrayal at the Harold Pinter Theatre. Photo: Marc Brenner

Watch Tom Hiddleston ruin Pinter’s finest play

23 March 2019 9:00 am

No menace, no Venice. This new production of Pinter’s Betrayal is set on a bare stage with scant regard for…

How did no one think the premise of Mums Make Porn was questionable?

23 March 2019 9:00 am

What can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question…

Is the increasing secularisation of funerals a good thing?

23 March 2019 9:00 am

‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent…

Fresh and wild: Chrystal E. Williams as Lady Macbeth and Brenden Gunnell as Seryozha in Graham Vick’s Lady Macbeth of Mtsensk

Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed

23 March 2019 9:00 am

You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…

The fall of Daniel Barenboim

23 March 2019 9:00 am

A few years ago, I hooked up with a BBC team in Berlin to record a programme with Daniel Barenboim.…

Spell-binding: Lupita Nyong’o as Adelaide in Us

Nyong’o is spellbinding but the plot is ultimately baffling: Us reviewed

23 March 2019 9:00 am

Us is a second feature from Jordan Peele after his marvellous debut Get Out, which was more brilliantly satirical than…

All the world’s a stage: Luwam Teklizgi (Rita) and Toby Jones (Peter) in BBC2’s forthcoming Don’t Forget the Driver

Toby Jones on the allure of the everyman – and the glamour of coach-driving

14 March 2019 9:00 am

Toby Jones tells Steve Morris about the allure of the ordinary and the odd glamour of playing a coach driver

Soft cell: ‘Hôtel du Pavot, Chambre 202’, 1970–73, by Dorothea Tanning

Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed

14 March 2019 9:00 am

Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…

Scala Radio is a real threat to Radio 2

14 March 2019 9:00 am

It’s not surprising given the way that electronic communication has taken over so much of our daily business, minimising human…

Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed

14 March 2019 9:00 am

Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…

Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed

14 March 2019 9:00 am

Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could…

Deft humour and daft imagery: WNO’s Magic Flute reviewed

14 March 2019 9:00 am

Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…

Slow-moving tale with a strong echo of Brideshead: Alys, Always at the Bridge reviewed

14 March 2019 9:00 am

Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead.…

Colin Morgan as Benjamin and Phénix Brossard as Noah in Simon Amstell’s Benjamin

Tender, sweet, affecting: Simon Amstell’s Benjamin reviewed

14 March 2019 9:00 am

Simon Amstell’s Benjamin is a romantic comedy about a young filmmaker whose second feature is about to première, and he’s…

It’s shocking how many Michael Jackson fans are still determined to take his side

14 March 2019 9:00 am

Halfway through the first part of Channel 4’s extraordinary documentary Leaving Neverland (Thursdays), I flicked through the comments on social…

‘Afternoon at the Beach in Valencia’, 1904, by Joaquin Sorolla

Enjoy a blast of Spanish sun from Joaquin Sorolla

9 March 2019 9:00 am

Laura Gascoigne enjoys a blast of Spanish sun, courtesy of Joaquin Sorolla, whose paintings are being shown in London for the first time since 1908

Magnificently incoherent: Royal Trux’s White Stuff reviewed

9 March 2019 9:00 am

Grade:A Royal Trux are back — kind of. Singer (if that’s what you want to call what she does) Jennifer…

Sarah Tynan, Nicholas Lester and Andrew Shore in ENO's new Merry Widow. Photo: Clive Barda

Cringingly vulgar, brainless and lacking heart: ENO’s Merry Widow reviewed

9 March 2019 9:00 am

Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more…

Decency comes into its own: Bryan Adams

An undervalued songwriter and decent man: Bryan Adams at Wembley reviewed

9 March 2019 9:00 am

On 29 June 1991, a record called ‘(Everything I Do) I Do It For You’ by Bryan Adams entered the…

A great example of how Radio 4 is using new technologies to enhance audio

9 March 2019 9:00 am

‘It’s too familiar, too obvious,’ says Cathy FitzGerald at the beginning of her new interactive series for Radio 4, Moving…

Art or propaganda? Wolfgang Tillmans’ pro-EU poster for the 2016 referendum

Keep politics out of art

9 March 2019 9:00 am

If you want to lose friends and alienate people in the art world, try telling them you support Britain leaving…

Deserves its classic status: Jesus Hopped the ‘A’ Train at the Young Vic reviewed

9 March 2019 9:00 am

Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis deserves its classic status. This wordy and highly cerebral play pulls…

Sian Clifford as Claire and Phoebe Waller-Bridge as Fleabag

Promising but, compared to the first series, short of laughs: Fleabag reviewed

9 March 2019 9:00 am

BBC2’s MotherFatherSon announced its status as a classy thriller in the traditional way: by ensuring that for quite a long…