Cinema

Emma Thompson as Fiona Maye in The Children Act

If you think you can't have too much Ian McEwan, then you are wrong

25 August 2018 9:00 am

The Children Act is the third Ian McEwan film adaptation in 18 months (after The Child in Time and On…

Still life: Iris Bry, Laura Smet and Natalie Baye in The Guardians

A captivating addition to the filmography of the first world war: The Guardians reviewed

18 August 2018 9:00 am

There are moments in The Guardians when you can imagine you’re in the wrong art form. Time stills, the frame…

For any politician spoiling for a fight over Ireland's border, Under the Tree is required viewing

11 August 2018 9:00 am

Every so often there’s a news story in which neighbours quarrel over rampaging leylandii. The police are summoned, the case…

It will save some marriages – or end others: The Escape reviewed

4 August 2018 9:00 am

Dominic Savage had an early start. In Barry Lyndon (1975), Stanley Kubrick’s sprawling take on Thackeray, he played a prepubescent…

Molly Wright as Alex in Apostasy

Fascinating, powerful and brilliantly done: Apostasy reviewed

28 July 2018 9:00 am

For many years I would chat genially with our local Jehovah, Stephen, who came door-to-door every few months or so,…

Dreary, familiar, empty watch – until Streep appears: Mamma Mia! Here We Go Again reviewed

21 July 2018 9:00 am

Mamma Mia! Here We Go Again aims to do what it says on the can. That is, be Mamma Mia,…

Ethan Hawke as the Revd Ernst Toller and Amanda Seyfried as Mary

Powerfully – grippingly – puzzling: First Reformed reviewed

14 July 2018 9:00 am

Paul Schrader’s First Reformed is slow, churchy, cerebral, bleak, difficult, tormented and puzzling, which is always a blow. So exhausting…

That sinking feeling: Rob Brydon (Eric) and his fellow asshats in Swimming with Men

Shamelessly derivative and, worse, asks us to root for asshats: Swimming with Men reviewed

7 July 2018 9:00 am

Swimming with Men is a British drama-comedy starring Rob Brydon as a disaffected middle-aged accountant who joins his local male…

Leave No Trace is inaction-packed – yet it pulls you in and keeps you pulled in

30 June 2018 9:00 am

Debra Granik, the writer-director who made quite a splash with Winter’s Bone (which launched the career of Jennifer Lawrence in…

Wilde at heart: Colin Morgan as Bosie and Rupert Everett as Oscar Wilde in The Happy Prince

The Happy Prince is a ravishingly sad film

23 June 2018 9:00 am

Hereditary is the horror film that has been described as a ‘ride of pure terror’ and likened to The Exorcist…

Women can now make dull formulaic franchise films too! Hurrah! Ocean’s 8 reviewed

16 June 2018 9:00 am

Ocean’s 8 is the all-female spin-off of the all-male Ocean’s trilogy and it’s a sop, with a third act that…

A betrayal – despite moments of spectacle that would have made John Martin gasp

Cynical, one-dimensional and oddly colourless: Jurassic World – Fallen Kingdom reviewed

9 June 2018 9:00 am

Back in the mists of prehistory, when I was eight, dinosaur films followed a set pattern. The dinosaurs themselves would…

Louise Brooks is sensational in Pabst's silent classic Pandora's Box (Credit: BFI)

Ninety years old and still feels as fresh as a daisy: G.W. Pabst's Pandora's Box reviewed

2 June 2018 9:00 am

Two films this week, one that has stood the test of time, dazzlingly — it still feels as fresh as…

I desperately wanted to love Edie but I couldn’t

26 May 2018 9:00 am

Edie tells the story of an 84-year-old woman who wants to fulfil a girlhood ambition by climbing a Scottish mountain.…

Wonder woman: Saoirse Ronan is miraculous as Florence in On Chesil Beach

Whoever signed off on the ending deserves a good thrashing: On Chesil Beach reviewed

19 May 2018 9:00 am

But it’s surefooted mostly and always watchable and Ronan Saoirse is a wonder

The glums: Marisol Montiel and Ana Luisa Montiel in Taryn Simon’s ‘An Occupation of Loss’

Grief-conjurors, space-mincers and earth-shovellers: performance roundup

19 May 2018 9:00 am

They enter two by two. Grannies, mainly. Headscarved, mainly. Some locking arms. A bit glum. Like rejects from Noah’s ark.…

One angry mother: Nicole Kidman as Queen Boadicea in How to Talk to Girls at Parties

Convoluted, woeful mishmash with no central story: How to Talk to Girls at Parties reviewed

12 May 2018 9:00 am

How to Talk to Girls at Parties is set in the 1970s and has punk as the backdrop and an…

Lean on Pete is a beauty

5 May 2018 9:00 am

Andrew Haigh makes inaction films. Weekend (2011) tells of two young homosexuals getting to know each other in Nottingham. In…

Jessie Buckley is mesmerising in 'Beast' – review

28 April 2018 9:00 am

When I first read that Beast is a serial-killer thriller my heart sank like a stone — yet more women…

Male order: Juliette Binoche as Isabelle in Let the Sunshine In

Maxine Peake is blistering in Funny Cow

21 April 2018 9:00 am

Two films about women this week. One, Funny Cow, is about a woman who daringly takes on men at their…

My knuckles went pure white and have yet to return to full colour: Custody reviewed

14 April 2018 9:00 am

Custody is both social realism and a thriller and it’s terrific. It is smart, beautifully acted, never crass about the…

Oakes Fegley as Ben and Julianne Moore as Lillian Mayhew in Wonderstruck

Plenty to wonder at – like who thought it was a good idea to make it: Wonderstruck reviewed

7 April 2018 9:00 am

Wonderstruck is a film by Todd Haynes and you will certainly be struck by wonder, often. You will wonder at…

It was good but I preferred slurping my genitals: Monty the dog reviews Isle of Dogs

31 March 2018 9:00 am

The latest film from Wes Anderson is a doggy animation set in a fantasy Japan and as there was a…

Unsensitive, Unhumane and Uncredible: Unsane reviewed

24 March 2018 9:00 am

Steven Soderbergh’s latest film, Unsane, is a psychological thriller about a woman who is incarcerated in a psychiatric hospital even…

A belt would have worked wonders: Rooney Mara as Mary Magdalene

The Bishop of Wherever won't have a fit – assuming he stays awake: Mary Magdalene reviewed

17 March 2018 9:00 am

This biopic of Mary Magdalene is a feminist retelling that may well be deserved but it’s so dreary and unremarkable…