Exhibitions

The beauties of the universe are revealed in the paintings of Pieter de Hooch

19 October 2019 9:00 am

In the early 1660s, Pieter de Hooch was living in an area of what we would now call urban overspill…

Inspiring and sweet-smelling: David Nash’s 200 Seasons at Towner Art Gallery

You'll be blubbing over a wooden boulder at David Nash's show at Towner Art Gallery

12 October 2019 9:00 am

Call me soppy, but when the credits rolled on ‘Wooden Boulder’, a film made by earth artist David Nash over…

‘Body’ and ‘Fruit’, 1991/93, by Antony Gormley

A cast of Antony Gormley? Or a pair of giant conkers? Gormley’s RA show reviewed

5 October 2019 9:00 am

While Sir Joshua Reynolds, on his plinth, was looking the other way, a little girl last Saturday morning was trying…

The rare gifts of Peter Doig

21 September 2019 9:00 am

‘My basic intention,’ the late Patrick Caulfield once told me, ‘is to create some attractive place to be, maybe even…

‘Flowers’, 1942, by Ivon Hitchens

Whooshing seedlings and squabbling stems: Ivon Hitchens at Pallant House reviewed

31 August 2019 9:00 am

Set down the secateurs, silence the strimmers. Let it grow, let it grow, let it grow. Ivon Hitchens was a…

‘Oedipus and the Sphinx’, c.1826, by Ingres, a copy of which hung over Freud’s desk

Why was Sigmund Freud so obsessed with Egypt?

24 August 2019 9:00 am

Twenty years ago, I visited the ancient Egyptian city of Amarna with a party of American journalists. Even in those…

Going to the dogs: ‘Pluto Aged 12’, 2000, by Lucian Freud

An exhibition about dogs, chosen by dogs: Dog Show reviewed

10 August 2019 9:00 am

Stepping into any art gallery, the last thing you expect to be greeted by is a cacophony of barking and…

Wooden head from southern Nigeria, collected by Northcote W. Thomas in 1910

Lucian Freud insisted a forgery could be as great as the real thing. Was he right?

10 August 2019 9:00 am

Perhaps we should blame Vasari. Ever since the publication of his Lives of the Artists, and to an ever-increasing extent,…

Like walking into a Rothko: ‘Din blinde passager’ (‘Your blind passenger’), 2010, by Olafur Eliasson

Olafur Eliasson’s art is both futuristic and completely traditional – which is why I love it

27 July 2019 9:00 am

Superficially, the Olafur Eliasson exhibition at Tate Modern can seem like a theme park. To enter many of the exhibits,…

‘The Tea Party’, 1727, by Richard Collins

A brief history of tea

20 July 2019 9:00 am

It had to happen. Since almost everything became either ‘artisan’ or ‘curated’, conditions have been ripe for a curator of…

‘Telepainting’, 1964, by Takis

Full of wonders: Takis at Tate Modern reviewed

13 July 2019 9:00 am

Steel flowers bend in a ‘breeze’ generated by magnetic pendulums. This is the first thing you see as you enter…

‘The Ball’ (1899) by Félix Vallotton

No masterpieces but there are beautiful touches: Félix Vallotton at the RA reviewed

6 July 2019 9:00 am

Félix Vallotton (1865–1925) was a member of the Nabis (the Prophets), a problematically loose agglomeration of painters, inspired by Gauguin…

‘Centaur’, 1964, by Paula Rego

Remarkable and powerful – you see her joining the old masters: Paula Rego reviewed

22 June 2019 9:00 am

In 1965 a journalist asked Paula Rego why she painted. ‘To give a face to fear,’ she replied (those were…

Dark masterpiece: ‘Two Figures’, 1953, by Francis Bacon

There is a jewel of a painting at Gagosian's Francis Bacon show

15 June 2019 9:00 am

‘It is no easier to make a good painting,’ wrote Vincent van Gogh to his brother Theo, than it is…

Virtuosic exploration of paint: Frank Bowling at Tate Britain reviewed

8 June 2019 9:00 am

‘The possibilities of paint,’ Frank Bowling has observed, ‘are endless.’ The superb career retrospective of his work at Tate Britain…

Plastic fantastic: British Industried Fair, 1948

How plastics saved the elephant and the tortoise

1 June 2019 9:00 am

Plastics — even venerable, historically eloquent plastics — hardly draw the eye. As this show’s insightful accompanying publication (a snip…

A mesmerising retrospective: Victoria Crowe at City Art Centre, Edinburgh, reviewed

25 May 2019 9:00 am

This mesmerising retrospective takes up three floors of the City Art Centre, moving in distinct stages from the reedy flanks…

‘A was an Artist’, from William Nicholson’s An Alphabet, 1897

The duo that broke the mould of poster design

18 May 2019 9:00 am

The best double acts — Laurel and Hardy, Gilbert & George, Rodgers and Hart — are often made up of…

It’s all Greek to me: a schoolchild’s homework on a wax tablet, Egypt, 2nd century AD

Would James Joyce have finished Ulysses without coloured pens?

11 May 2019 9:00 am

The Mesopotamians wrote on clay and the ancient Chinese on ox bones and turtle shells. In Egypt, in about 1,800…

Moore’s art has never looked more in context than it does here, undulating in the spring sunshine with Palladian architecture on one side and vistas of greenery on the other: ‘Large Reclining Figure’, 1984

Moore’s art has never looked better: Henry Moore at Houghton Hall reviewed

4 May 2019 9:00 am

Henry Moore was, it seems, one of the most notable fresh-air fiends in art history. Not only did he prefer…

‘Landline Star’, 2017, Sean Scully

A beautiful exhibition of a magnificent painter: Sean Scully at the National Gallery reviewed

20 April 2019 9:00 am

Sean Scully once told me about his early days as a plasterer’s mate. At the age of 17 he was…

‘Head by Head’, 1905, by Edvard Munch

Absorbing – a masterclass in print-making: Edvard Munch at the British Museum reviewed

13 April 2019 9:00 am

An eyewitness described Edvard Munch supervising the print of a colour lithograph in 1896. He stood in front of the…

‘The New and Fashionable Game of the Jew’, 1807

Is now a good time to talk about Jews and money?

6 April 2019 9:00 am

Is now a good time to talk about Jews and money? The Jewish Museum in London thinks so, and perhaps…

‘Scenes from the Passion: The Hawthorne Tree’, 2001, by George Shaw

The joy of George Shaw’s miserable paintings of a Coventry council estate

30 March 2019 9:00 am

All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…

Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed

23 March 2019 9:00 am

Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…