Exhibitions

Worth a trip for the David Joneses alone: Journeys with ‘The Waste Land’ reviewed

24 February 2018 9:00 am

To bleak, boarded-up Margate — and a salt-and-vinegar wind that leaves my face looking like Andy Warhol’s botched 1958 nose-peel…

From 'playable stamps’ to minidiscs – the joys of dead media

24 February 2018 9:00 am

Listen closely, among the shelves of the last remaining music shops, in student dorm rooms and amid the flat whites…

Girls in the hood: traditional hairdresser in Nottingham, 1996

The captivating art, science and politics of hair: Beehives, Bobs and Blow-dries reviewed

24 February 2018 9:00 am

One of the best things about Beehives, Bobs and Blow-dries — yep, an exhibition about hairdressing — is the reaction…

Domestic harmony: Kettle’s Yard, Cambridge, ‘a work of art in itself’

Lemons and pebbles are as important to Kettle’s Yard as the art

10 February 2018 9:00 am

When I first visited Kettle’s Yard, Cambridge, I was shown around by Jim Ede, its founder and creator. This wasn’t…

‘Amazon’, 2016, by Andreas Gursky

Gursky’s subject is humanity: prosaic, mundane, extremely messy

3 February 2018 9:00 am

Walking around the Andreas Gursky exhibition at the Hayward Gallery, I struggled to recall what these huge photographs reminded me…

‘Apollo and Daphne’, early 1620s, by Bernini

Turning marble into cushions and stone into flesh: the magic of Gian Lorenzo Bernini

13 January 2018 9:00 am

Seventeenth-century Roman art at its fullblown, operatic peak often proves too rich for puritanical northern tastes. And no artist was…

Bear necessities: line block print, 1970, hand coloured by E.H. Shepard

The star of the Winnie-the-Pooh show at V&A is E.H. Shepard

9 December 2017 9:00 am

The thing about Winnie-the-Pooh, 91 years old this year, is that he’s the creature of E.H. Shepard, who drew him,…

‘Beatrice Hastings’, 1915, by Amedeo Modigliani

After you’ve seen a few, you start to think, ‘Oh no, not another!’: Modigliani at Tate reviewed

2 December 2017 9:00 am

‘It’s odd,’ Picasso once mused, ‘but you never see Modigliani drunk anywhere but at the corners of the boulevard Montmartre…

The head of Jeremy Bentham, who died in 1832

What can we learn from Jeremy Bentham’s pickled head?

18 November 2017 9:00 am

Under the central dome of UCL — an indoor crossroads where hordes of students come and go on their way…

‘Les Modes se suivent et ne se ressemblent pas’, 1926, cover design for Harper’s Bazaar

The time is right for an Erté revival – a new hero for our gender-anxious times

18 November 2017 9:00 am

Erté was destined for the imperial navy. Failing that, the army. His father and uncle had been navy men. There…

Cover illustration for the magazine Garm 1944, by Tove Jansson

A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed

18 November 2017 9:00 am

Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…

‘Self-Portrait’, 1880–1, by Paul Cézanne

The most impressive array of work to be seen in London in years: Cézanne’s Portraits reviewed

11 November 2017 9:00 am

The critic and painter Adrian Stokes once remarked on how fortunate Cézanne had been to be bald, ‘considering the wonderful…

The advantages of turning down the colour knob: Monochrome reviewed

4 November 2017 9:00 am

Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…

Tracey Emin finds a kindred spirit in Turner

28 October 2017 9:00 am

In the 1880s the young Max Klinger made a series of etchings detailing the surreal adventures of a woman’s glove…

‘The First Days of Spring’, 1929, by Salvador Dalí

As a visual experience it is less than overwhelming: Dalí/Duchamp reviewed

21 October 2017 9:00 am

During a panel discussion in 1949, Frank Lloyd Wright made an undiplomatic comment about Marcel Duchamp’s celebrated picture of 1912,…

‘Self Portrait’, 1984, by Jean-Michel Basquiat

Where did it go wrong for Basquiat?

14 October 2017 9:00 am

‘Art by its very essence is of the new… There is only one healthy diet for artistic creation: permanent revolution.’…

Master of the zoom lens: Degas at the National reviewed

30 September 2017 9:00 am

Where was Degas standing as he sketched his ‘Laundresses’ (c.1882–4)? Did he watch the two women from behind sheets hanging…

‘The Angel of Mercy’, c.1746, by Joseph Highmore

The painting that revealed the shocking truth of being a woman in Georgian society

23 September 2017 9:00 am

At the heart of Basic Instincts, the new exhibition at the Foundling Museum in London, is an extraordinarily powerful painting…

‘Untitled (Clear Torso)’, 1993, by Rachel Whiteread

At her best, Rachel Whiteread is almost edibly attractive – but less is more

16 September 2017 9:00 am

Rachel Whiteread is an indefatigable explorer of internal space. By turning humble items such as hot-water bottles and sinks inside…

Still life: ‘A Kiss’, 1891, by Sir Lawrence Alma-Tadema

The Victorian painter who shaped cinema

9 September 2017 9:00 am

On 15 September 1888 Vincent van Gogh was intrigued to read an account of an up-to-date artist’s house in the…

Moving pictures: ‘Achaean’, 1981, by Bridget Riley

Snap, crackle and op: no one can beat Bridget Riley

2 September 2017 9:00 am

Stand in front of ‘Fall’, a painting by Bridget Riley from 1963, and the world begins to quiver and dissolve.…

‘Spray’, by Harold Williamson (1939)

The marvels of British interwar realism

19 August 2017 9:00 am

One day, somebody will stage an exhibition of artists taught at the Slade by the formidable Henry Tonks, who considered…

Matisse’s ‘Still Life with Shell’ (1940) with his beloved chocolate pot, top left

The importance of odds and ends in the work of Matisse

5 August 2017 9:00 am

Why did Henri Matisse not play chess? It’s a question, perhaps, that few have ever pondered. Yet the great artist…

A picture of pure energy: Watts’s ‘The Sower of Systems’, 1902

The Victorian artist who was more Jackson Pollock than Pre-Raphaelite

29 July 2017 9:00 am

On his deathbed in 1904, George Frederic Watts saw a extraordinary spectacle. He witnessed the universe coming into being: the…

‘Old Woman Wearing a Ruff and Cap’ (c. 1625–40), attributed to Jacob Jordaens

Full of visual pleasures: National Portrait Gallery's The Encounter reviewed

22 July 2017 9:00 am

Some art can be made in solitude, straight out of the artist’s head. But portraiture is a game for two.…