In 1982 Sven Berlin placed a sealed wallet labelled ‘Testament’ on top of a rafter in his studio with instructions…
The introductory room to Women War Artists at the Imperial War Museum confronts the visitor with a large canvas of…
In the Weston Rooms of the Royal Academy’s main suite of galleries is the third of a series of exhibitions designed to show the processes by which artists arrive at their work.
Very last chance to see the inaugural exhibition at the magnificently revamped Holburne Museum — a selection from the collections of Peter Blake, together with some of his own work.
The subtitle of Treasures of Heaven is ‘saints, relics and devotion in medieval Europe’. The key words here are medieval and Europe.
Bold Tendencies is a seasonal sculpture exhibition, events venue and bar — in overall effect, a sort of hipster adventure playground — concealed in the disused upper levels of the multistorey car park opposite Peckham Rye railway station.
To celebrate Elizabeth Blackadder’s 80th birthday, the Scottish National Gallery is staging a landmark retrospective (until 2 January 2012) spanning the last six decades of the artist’s career.
One of the highlights of the Royal Collection is Gainsborough’s ‘Diana and Actaeon’, a painting I always make a point of visiting when I am viewing a new temporary exhibition in the Queen’s Gallery
A photography show worth admiring
Opposites in revealing juxtaposition
John Hoyland was one of our most exhilarating artists
Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (British Museum, until 11 September. Part of an Australian Season sponsored by Rio Tinto)
The Fry Art Gallery is housed in a Victorian Gentleman’s Gallery of two main rooms, built in 1856 for the Quaker banker Francis Gibson.
The basement galleries of the Sainsbury Wing are darker than ever for this intriguing redisplay of some of the oldest paintings in the National Gallery.
Alasdair Palmer marvels at a series of Veronese frescoes at Palladio’s Villa Barbaro
Vorticism is often referred to as the only British 20th-century art movement of international importance, but the work of the Vorticists — Wyndham Lewis, Edward Wadsworth, Gaudier-Brzeska and their associates — has up to now not been widely known.
There are just 26 drawings and watercolours in the magnificent exhibition at Lowell Libson, but they are all of such quality and interest that the show is a feast of connoisseurship and visual delight.
The resident ravens of the Tower of London seem to croak a little louder these days. A few yards from their gathering spot, a golden eagle, traditional symbol of power and kingship, perches on a military standard, keeping watch. It is one of several exhibits on display at the newly refurbished Fusilier Museum in the Tower of London.
Henri de Toulouse-Lautrec (1864–1901), diminutive aristocrat and radical artist, was roundly travestied in John Huston’s 1952 film Moulin Rouge, and at once entered the popular imagination as an atrociously romanticised figure doomed for early death.
This year, the sequence of galleries has been subtly altered, and for a change we enter the fabled Summer Exhibition (sponsored by Insight Investment) through the Octagon rather than Gallery 1.
‘Not something I’d want on my wall,’ said an English lady visitor to Antwerp’s Rockox House, standing in front of a painting of wolves attacking cattle.
In the Mellon Gallery of the Fitzwilliam is an unashamedly rich and demanding exhibition of Italian drawings, ranging from the 15th to the 20th century.
Cleanliness was nowhere near godliness in 17th-century Europe — except in Delft, where God came second.
William Cook takes refuge from the modern world at an exhibition of the artist’s paintings of his beloved Salisbury
Over the years Chris Beetles must have made the pencil-wielding fingers of Quentin Blake and Ronald Searle itch with a desire to draw him.