Sometimes an exhibition does what it says on the tin. The Pre-Raphaelites and Italy, the Ashmolean’s first major show post-revamp, is such an exhibition.
In the first retrospective of his work for nearly 40 years, Peter Lanyon (1918–64) is given the kind of recognition long his due.
As regular readers of this column will know, I am not an admirer of large exhibitions.
The Arte Sella sculpture park has an unusual policy even as open-air museums go, with all the exhibits destined in due course to disintegrate and biodegrade.
It is a critical moment for the Biennale des Antiquaires in Paris — and for the French art trade.
Victor Willing (1928–88) is perhaps the least classifiable of the brilliant early-1950s Slade generation, which includes his wife Paula Rego.
The Indian Portrait: 1560-1860
National Portrait Gallery, until 20 June Mark Shields: Here and Elsewhere
Grosvenor Gallery, 21 Ryder Street, SW1, until 14 May
Rodchenko and Popova: Defining Constructivism
Tate Modern, until 17 May
Film There’s been a rush of good movies recently — Rachel Getting Married (with Anne Hathaway) and Vicky Cristina Barcelona,…
Beyond the Work of One — Oxford College Libraries and their Benefactors
The Bodleian Library, Oxford, until 1 November, admission free
Royal Academy, until 17 August
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