The Listener

McGonagall for sad hipsters: Jay-Z’s 4:44 reviewed

15 July 2017 9:00 am

Grade: B – All criticism is pointless, I suppose, given the sheer magnitude of the Shawn Corey Carter machine —…

Beth Ditto was once a riot grrrl – but her latest album is about as edgy as Wilson Phillips

8 July 2017 9:00 am

Boy is she fat, and getting fatter. I realise this is something we’re not meant to mention when talking about…

Peter Perrett’s How The West Was Won is a beautiful work, lush with swirling melodies

24 June 2017 9:00 am

Much though I loved it at the time, not a great deal of lasting worth came out of that fervid…

No one in this marvellously profane genre can touch Snoop Dogg: Neva Left reviewed

10 June 2017 9:00 am

The problem Calvin Broadus has is persuading the rest of us that he still a baaaad muthafucka. Snoop is now…

Thrilling new album from queercore garage punk band PWR BTTM

27 May 2017 9:00 am

How about some queercore garage punk? PWR BTTM — the name means something empowering to do with buggery — are…

As good a record as this rapidly dying genre deserves: Blondie’s Pollinator reviewed

13 May 2017 9:00 am

Ah, Blondie. Those happy days of glorious power pop, chilly disco and rich, fruity vocals — Debbie Harry yearning away…

The best tunes Ray Davies has come up with since 1972: Americana reviewed

29 April 2017 9:00 am

There is some surprise that after all these years Ray Davies has turned his attention to America. He is the…

Dylan sounds like a pissed-up karaoke performer on Benylin: Triplicate reviewed

8 April 2017 9:00 am

Having seen Bob Dylan play live a few years ago, I’m pretty sure he is not the first person I…

I used to love the working-class nihilism of Sleaford Mods – no longer

11 March 2017 9:00 am

It’s all beginning to wear very thin indeed. Ten years ago this already addled Nottinghamshire duo captured the attention with…