Music

Garsington makes as good a case as you can for Strauss's frothy Capriccio

9 June 2018 9:00 am

‘Is there an end [to this opera] that is not trivial?’ asks the Countess in her final bars of Richard…

Cold and confusing: Garsington's Die Zauberflöte reviewed

9 June 2018 9:00 am

The picnic hamper’s open, the bubbly is chilled, and country house opera is starting to eat itself. When you arrive…

One of the last remaining all-boys' choirs in Britain, St George's Chapel Choir, which sang in the recent royal wedding in Windsor

I dread the extinction of boys’ choirs

2 June 2018 9:00 am

One by one, cathedrals have succumbed to the inevitable. In blazes of publicity, with front-page photographs of girls in cassocks…

What a wasted opportunity: Jonas Kaufmann's Four Last Songs reviewed

26 May 2018 9:00 am

No wonder we have a problem with classical music in this country. The week started in celebration. The stats are…

How does David Matthews get away with writing symphonies with tunes in them?

19 May 2018 9:00 am

‘All fish in flood and fowl of flight/ Be mirthful now and make melody’ writes the poet William Dunbar in…

Dudamel's Amériques made The Rite of Spring sound like Einaudi

12 May 2018 9:00 am

Apparently it’s called ‘expectation management’. Pollux, Esa-Pekka Salonen’s new work for the Los Angeles Philharmonic Orchestra, takes its name from…

Bravura, assurance and generosity: Mark Simpson's new Cello Concerto reviewed

28 April 2018 9:00 am

The opening of Mark Simpson’s new Cello Concerto is pure Hollywood. A fanfare in the low brass, an upwards rush…

An unmitigated triumph: Salome at Opera North reviewed

28 April 2018 9:00 am

Salome is my favourite opera by Richard Strauss, the only one where there is no danger, at any point, of…

Closing the Queen Elizabeth Hall invigorated the new music scene. Why reopen it?

21 April 2018 9:00 am

Imagine the National inviting RuPaul to play Hamlet. Or Tate giving Beryl Cook a retrospective. The London Sinfonietta offered a…

The greatest recording of Mozart's Requiem

14 April 2018 9:00 am

Glenn Gould used to say that Mozart died too late rather than too early. The remark was intended to get…

Iceland’s national composer returns from oblivion

7 April 2018 9:00 am

The lur is a horn, modelled in bronze after a number of 3,000-year-old instruments discovered at various archaeological sites across…

How the Moody Blues only became good once they realised they were crap

24 March 2018 9:00 am

Rarely has one irate punter so affected a band’s trajectory. Without the anger of the man who went to see…

A short history of French musical decadence

10 March 2018 9:00 am

My two attempts to see Poulenc’s Dialogues des Carmélites at the Guildhall School were frustrated by the weather. Forced back…

Remembering one of the best – and bitchiest – pianists who ever lived

3 March 2018 9:00 am

I’m unlucky with Beethoven’s Appassionata Sonata. Twice in the past year I’ve bolted for the exit as soon the pianist…

A step too far: the new production of Carmen at the Royal Opera House

A colossal bore: Royal Opera's Carmen reviewed

17 February 2018 9:00 am

The new production of Bizet’s Carmen at the Royal Opera has received mixed reviews. It shouldn’t have done. They should…

Celebrating Carter was one of the most energising musical occasions in years

3 February 2018 9:00 am

Das Rheingold at the Royal Festival Hall was, all told, a disappointment, but it might not have been had there…

Some of the greatest moments at HCMF 2017 were the gentlest

2 December 2017 9:00 am

The musicians of Ensemble Grizzana are arranged in the usual way for their concert at St Paul’s Hall in Huddersfield.…

Here comes the son: Baxter Dury

Baxter Dury on London going to the dogs, his acclaimed new album and his dad

25 November 2017 9:00 am

Michael Hann talks to Baxter Dury about his acclaimed new album – and the challenges of being Ian Dury’s son

The Chinese classical-music revolution up close

25 November 2017 9:00 am

On a bullet train out of Shanghai, a nuclear family catches my eye. The father, weather-beaten and wearing an ill-fitting…

Embarrassing – but electrifying: Bernstein 100 reviewed

18 November 2017 9:00 am

‘There is something enviable about the utter lack of inhibition with which Leonard Bernstein carries on,’ wrote the critic of…

Two great pianists – but who was the headstrong youngster and who was the veteran?

11 November 2017 9:00 am

Debussy’s Prélude à l’après-midi d’un faune begins with a sigh: a long, languorous exhalation played on the lower notes of…

Partying like it’s 1899: two lieder recitals reviewed

4 November 2017 9:00 am

If a symphony is, as Mahler famously put it, ‘like the world’, then songs and lieder are like seeing that…

Was Richard Strauss the greatest film composer that never was?

21 October 2017 9:00 am

An opera without singers, a Strauss orchestra of just 16, and an early music ensemble playing Mahler: welcome to the…

I’d rather miss a season of Proms than the London Piano Festival

14 October 2017 9:00 am

If two concert pianists are performing a work written for two grand pianos, there are two ways you can position…

Painted more shades of grey than a Farrow & Ball catalogue: The Judas Passion reviewed

7 October 2017 9:00 am

‘Can the ultimate betrayal ever be forgiven?’ screams the publicity for The Judas Passion, transforming a Biblical drama into a…