Arts

Running on empty: Ryan Gosling as Neil Armstrong in First Man

What was Neil Armstrong like? A complete bore if First Man is anything to go by

13 October 2018 9:00 am

Damien Chazelle’s First Man is a biographical drama that follows Neil Armstrong in the decade leading up to the Apollo…

David Suchet as Harry in The Collection, part of Pinter Two

Pinter comes across as an eccentric lightweight scribbler: Pinter Two reviewed

13 October 2018 9:00 am

Pinter Two, the second leg of the Pinter season, offers us a pair of one-act comedies. The Lover is a…

The new Doctor Who Jodie Whittaker is a delight – but the script isn't

13 October 2018 9:00 am

You won’t be aware of this because the BBC has been keeping it very quiet. But the new Doctor Who…

Natalia Osipova as Mary Vetsera and Ryoichi Hirano as Rudolf in Mayerling

Why Mayerling is a #MeToo minefield

13 October 2018 9:00 am

Kenneth MacMillan’s Mayerling is a #MeToo minefield. Crown Prince Rudolf of Austria-Hungary is a serial seducer, a man of many…

I genuinely liked Siegfried – which almost never happens: Royal Opera's Ring cycle reviewed

13 October 2018 9:00 am

‘On Brünnhilde’s rock I drew the breath that called your name; so swift was my journey here.’ It’s Act Two…

What’s not to like about Christine and the Queens? Her music

13 October 2018 9:00 am

Grade: B– Ooh goody — a parade to rain on! You wouldn’t believe the hyperbole expended by the rock critics…

‘The Agony in the Garden’, c.1458–60, by Giovanni Bellini

Bellini vs Mantegna – whose team are you on?

6 October 2018 9:00 am

Laura Freeman on Mantegna and Bellini, two brothers-in-law whose contrasting art pitched drama against devotion

Sophie Okonedo exudes sexiness and regality as Cleopatra in Antony and Cleopatra at the Olivier Theatre

After 1980 Pinter began to write like a student troll: Pinter at the Pinter reviewed

6 October 2018 9:00 am

The drop-curtain resembles a granite slab on which the genius’s name has been carved for all time. The festival of…

Impeccably – and intriguingly – unclear: BBC1’s The Cry reviewed

6 October 2018 9:00 am

It’s a radical thought I know, but I sometimes wonder what it would be like if a new TV thriller…

A woman-child of dangerous assurance: Allison Cook as Salome in Adena Jacobs’s new production for English National Opera. [Catherine Ashmore]

A fascinating failure, but a failure nonetheless: ENO’s Salome reviewed

6 October 2018 9:00 am

Yes, Oscar Wilde never wrote it. No, Strauss didn’t intend it. In fact, the composer famously demanded the Dance of…

Bradley Cooper as Jack and Lady Gaga as Ally in A Star Is Born

Lady Gaga is a revelation: A Star is Born reviewed

6 October 2018 9:00 am

This version of A Star Is Born, starring Bradley Cooper and Lady Gaga, is the fourth iteration (Janet Gaynor and…

A week of extraordinarily direct and honest radio on the World Service

6 October 2018 9:00 am

The most inspiring voice on radio this week belongs to Hetty Werkendam, or rather to her 15-year-old self as she…

Jill Johnson and Christopher Roman in William Forsythe’s Catalogue

William Forsythe on the day the US government threatened to arrest him

6 October 2018 9:00 am

Emma Byrne meets the choreographer who has done more than any other to push the limits of what ballet might be

No one would want this gig to be the final memory of them: Soft Cell at the O2 reviewed

6 October 2018 9:00 am

When Soft Cell first appeared on Top of the Pops in summer 1981, miming along to their version of Gloria…

Reluctant sex object: Brett Anderson, lead singer of Suede, in 1993

Brett Anderson on fame, fear and hitting 50

29 September 2018 9:00 am

Brett Anderson talks to Michael Hann about fame, fear and hitting 50

Black mirror: ‘20:50’, 1987, by Richard Wilson at the Hayward Gallery

There's almost nothing in this Hayward show – and that's the point

29 September 2018 9:00 am

A reflection on still water was perhaps the first picture that Homo sapiens ever encountered. The importance of mirrors in…

Angela Carter was a master of radio drama

29 September 2018 9:00 am

The writer Angela Carter (born in 1940) grew up listening to the wireless, her love of stories, magic and the…

Face value: Glenn Close as Joan Castleman in The Wife showing how much can be expressed with the tremor of an eyelid

Glenn Close rescues this clumsy new adaptation: The Wife reviewed

29 September 2018 9:00 am

The Wife is an adaptation of the Meg Wolitzer novel (2003) and stars Glenn Close. Her performance is better than…

Opera North’s Tosca will leave you quivering

29 September 2018 9:00 am

At the end of Act Two of Tosca there are some 30 bars of orchestral music — accompaniment to a…

In the pink: Luke MacGregor as Edward Cooper in Eyam at Shakespeare’s Globe

The Old Vic’s Sylvia may be the new Les Mis

29 September 2018 9:00 am

Sylvia, the Old Vic’s musical about the Pankhurst clan, has had a troubled nativity. Illness struck the cast during rehearsals.…

Forget the BBC – only Channel 5 does proper documentaries these days

29 September 2018 9:00 am

What a load of utter tripe Bodyguard (BBC1, Sundays) was. Admittedly, I came to it late having missed all the…

Bravura piss-taking from Les Ballets Trockadero de Monte Carlo

29 September 2018 9:00 am

‘Ballet is woman’ insisted George Balanchine, but ballet can also be a big man in a dress as any fan…

Fantastic beasts and where to find them: ‘Wild Woman with Unicorn’, 1500–10

A brief history of unicorns

22 September 2018 9:00 am

A brief history of unicorns by Laura Freeman

What a scorcher: bearing the brunt of Harold Pinter’s temper was one of life’s central experiences

The night I kissed Harold Pinter

22 September 2018 9:00 am

Craig Raine remembers Harold Pinter

Sir Simon Rattle conducts the LSO at the Barbican

Rattle’s recapitulation: LSO/Simon Rattle at Barbican reviewed

22 September 2018 9:00 am

A pregnant silence, a peaty belch from the tuba, and the scrape of brass on brass as gears lock into…