Arts

Robert Redford turns his hand to radio

11 August 2018 9:00 am

Much ado is being made of the latest listening figures, which have suggested that the percentage of those aged between…

A kind of blue: Yves Klein’s ‘Jonathan Swift’ (c.1960) amid the Van Dycks and Joshua Reynolds

A visionary and playful heir to Duchamp: Yves Klein at Blenheim Palace

11 August 2018 9:00 am

Nothing was so interesting to Yves Klein as the void. In 1960 he leapt into it for a photograph —…

Thank god for the return of the generation gap in pop

11 August 2018 9:00 am

In June, a 20-year-old man called Jahseh Onfroy was murdered after leaving a motorcycle dealership in Deerfield Beach, Florida. Onfroy…

Psycho thriller: Samuel Barber’s Vanessa at Glyndebourne Festival

Magnificent: Vanessa at Glyndebourne reviewed

11 August 2018 9:00 am

‘Outside this house the world has changed. Life is swifter than before; there is no time for idle gestures.’ Anatol,…

For any politician spoiling for a fight over Ireland's border, Under the Tree is required viewing

11 August 2018 9:00 am

Every so often there’s a news story in which neighbours quarrel over rampaging leylandii. The police are summoned, the case…

Captain Scott’s 1911 expedition to Antartica, with the Terra Nova anchored in the background, from The Colour of Time

The artist who breathes technicolor life into historic photographs

4 August 2018 9:00 am

Marina Amaral brings black-and-white photographs back to life with colour. But, she tells Laura Freeman, she never changes their story

Currentzis's Beethoven asked us to listen with our bodies rather than our minds

4 August 2018 9:00 am

Some conductors conduct from the fingers — think of Gergiev’s convulsive gestures, flickering up and down the keyboard of an…

Why do comics bother with Edinburgh?

4 August 2018 9:00 am

Edinburgh. Why do comics do it? We almost invariably lose money. Even if you don’t pay for your venue, the…

Did Ed Balls mean to make a documentary on the joys of Trump’s America?

4 August 2018 9:00 am

The thing I most regret having failed ever to ask brave, haunted, wise Sean O’Callaghan when I last saw him…

Villa Tugendhat, Brno, Czech Republic

Modernist architecture only worked for the wealthy

4 August 2018 9:00 am

It was Le Corbusier who famously wrote that ‘A house is a machine for living in’ (‘Une maison est une…

If we offer Ian McKellan a peerage, will he promise not to inflict his King Lear on us again?

4 August 2018 9:00 am

Gandalf, also known as Ian McKellen, has awarded himself another lap of honour by bringing King Lear back to London.…

Radio 4 brings back the dead

4 August 2018 9:00 am

If proof were needed that radio will survive the onslaught of the new (or rather now not-so-new) digital technologies, albeit…

It will save some marriages – or end others: The Escape reviewed

4 August 2018 9:00 am

Dominic Savage had an early start. In Barry Lyndon (1975), Stanley Kubrick’s sprawling take on Thackeray, he played a prepubescent…

‘Lovely’ is the word that best sums up the National Garden Scheme

Why the National Garden Scheme beats the Chelsea Flower Show hands down

28 July 2018 9:00 am

Isabel Hardman on the joys of nosying around other people’s flower beds

Molly Wright as Alex in Apostasy

Fascinating, powerful and brilliantly done: Apostasy reviewed

28 July 2018 9:00 am

For many years I would chat genially with our local Jehovah, Stephen, who came door-to-door every few months or so,…

Why the scream of the elephant is much more chilling than the roar of a lion

28 July 2018 9:00 am

Raw, earthy, ear-piercing. It’s hard to decide which was more terrifying and unsettling: the roar of the elephants in Living…

Sacha Baron Cohen isn't funny – especially when he's mocking the powerless

28 July 2018 9:00 am

Sacha Baron Cohen’s latest series Who Is America? isn’t funny. But then, nor was his terrible 2016 movie The Brothers…

Landscape (North Friesland), 1920

Nolde was giddily optimistic about the Nazis – they rewarded him by confiscating his works

28 July 2018 9:00 am

The complexities of Schleswig-Holstein run deep. Here’s Emil Nolde, an artist born south of the German-Danish border and steeped in…

One of Alan Bennett’s finest efforts: Allelujah! reviewed

28 July 2018 9:00 am

Alan Bennett’s new play, Allelujah!, is an NHS drama set in a friendly hospital in rural Yorkshire. Colin, an ambitious…

A proper old-fashioned stinker: ITV’s The Bletchley Circle – San Francisco reviewed

28 July 2018 9:00 am

After just one episode, The Bletchley Circle: San Francisco (ITV, Wednesday) seems certain to stand out from the crowd. In…

Thrilling energy & humour from Longborough Festival Opera: Ariadne auf Naxos reviewed

28 July 2018 9:00 am

‘They’ve dined well, they’ve drunk their fill, their brains are dull and slow. They’ll sit snoozing in the dark until…

Life is a cabaret: Barry Humphries and Meow Meow

Barry Humphries on Trump, transgender ‘rat-baggery’ and causing maximum offence

21 July 2018 9:00 am

Lloyd Evans talks to Barry Humphries about Brexit, transgender ‘rat-baggery’ and pre-cataclysmic art

An embarrassing and misshapen dud: Opera Holland Park’s Isabeau reviewed

21 July 2018 9:00 am

I’ve been trying to pinpoint the exact moment when it became impossible to take Mascagni’s Isabeau seriously. It wasn’t when…

Channel 4 doesn’t do ‘news’ in any meaningful sense of the word – it’s pure propaganda

21 July 2018 9:00 am

When President Trump refused to take a question from a CNN reporter at the Chequers press conference last week, I…

Lee Bul’s ‘Monster: Pink’ (foreground) and ‘Crashing’ (background)

If you like monstrosities, head to the Hayward Gallery

21 July 2018 9:00 am

One area of life in which globalism certainly rules is that of contemporary art. Installation, performance, the doctrine of Marcel…