Arts

Molly Wright as Alex in Apostasy

Fascinating, powerful and brilliantly done: Apostasy reviewed

28 July 2018 9:00 am

For many years I would chat genially with our local Jehovah, Stephen, who came door-to-door every few months or so,…

Why the scream of the elephant is much more chilling than the roar of a lion

28 July 2018 9:00 am

Raw, earthy, ear-piercing. It’s hard to decide which was more terrifying and unsettling: the roar of the elephants in Living…

Sacha Baron Cohen isn't funny – especially when he's mocking the powerless

28 July 2018 9:00 am

Sacha Baron Cohen’s latest series Who Is America? isn’t funny. But then, nor was his terrible 2016 movie The Brothers…

Landscape (North Friesland), 1920

Nolde was giddily optimistic about the Nazis – they rewarded him by confiscating his works

28 July 2018 9:00 am

The complexities of Schleswig-Holstein run deep. Here’s Emil Nolde, an artist born south of the German-Danish border and steeped in…

One of Alan Bennett’s finest efforts: Allelujah! reviewed

28 July 2018 9:00 am

Alan Bennett’s new play, Allelujah!, is an NHS drama set in a friendly hospital in rural Yorkshire. Colin, an ambitious…

A proper old-fashioned stinker: ITV’s The Bletchley Circle – San Francisco reviewed

28 July 2018 9:00 am

After just one episode, The Bletchley Circle: San Francisco (ITV, Wednesday) seems certain to stand out from the crowd. In…

Thrilling energy & humour from Longborough Festival Opera: Ariadne auf Naxos reviewed

28 July 2018 9:00 am

‘They’ve dined well, they’ve drunk their fill, their brains are dull and slow. They’ll sit snoozing in the dark until…

Life is a cabaret: Barry Humphries and Meow Meow

Barry Humphries on Trump, transgender ‘rat-baggery’ and causing maximum offence

21 July 2018 9:00 am

Lloyd Evans talks to Barry Humphries about Brexit, transgender ‘rat-baggery’ and pre-cataclysmic art

An embarrassing and misshapen dud: Opera Holland Park’s Isabeau reviewed

21 July 2018 9:00 am

I’ve been trying to pinpoint the exact moment when it became impossible to take Mascagni’s Isabeau seriously. It wasn’t when…

Channel 4 doesn’t do ‘news’ in any meaningful sense of the word – it’s pure propaganda

21 July 2018 9:00 am

When President Trump refused to take a question from a CNN reporter at the Chequers press conference last week, I…

Lee Bul’s ‘Monster: Pink’ (foreground) and ‘Crashing’ (background)

If you like monstrosities, head to the Hayward Gallery

21 July 2018 9:00 am

One area of life in which globalism certainly rules is that of contemporary art. Installation, performance, the doctrine of Marcel…

The marketisation of BBC radio is a recipe for creative disaster

21 July 2018 9:00 am

There’s been a lot of fuss and many column inches written about levels of pay at the BBC, as revealed…

Family fortunes: Ben Miles, Adam Godley and Simon Russell Beale in The Lehman Trilogy

Extraordinary power and simplicity: Lehman Trilogy reviewed

21 July 2018 9:00 am

Stefano Massini’s play opens with a man in a frock-coat reaching New York after six weeks at sea. The year…

Paul Simon says farewell with a daring and inventive show

21 July 2018 9:00 am

Early in 1987, a middle-aged woman approached me on the record counter of the Slough branch of Boots. ‘What do…

Dreary, familiar, empty watch – until Streep appears: Mamma Mia! Here We Go Again reviewed

21 July 2018 9:00 am

Mamma Mia! Here We Go Again aims to do what it says on the can. That is, be Mamma Mia,…

‘Never work’: graffiti on the walls of Nanterre University, March 1968

How situationism changed history

14 July 2018 9:00 am

Luke Haines on the situationists – the avant-garde art movement that sparked off the riots and foresaw the future

Why this hand-held footage of Woolhampton swing bridge is such a joy

14 July 2018 9:00 am

You remember slow TV? Pioneered by the Norwegian Broadcasting Corporation, with its classic Bergensbanen — minutt for minutt (2009), which…

The lack of public transport outside London is shocking

14 July 2018 9:00 am

When did you last take the bus? If you don’t live in London, probably not for ages. In her two-part…

The lost girls: Irma Leopold (Samara Weaving), Miranda Reid (Lily Sullivan) and Marion Quade (Madeleine Madden) in Picnic at Hanging Rock

Po-faced but worth sticking with: Picnic at Hanging Rock reviewed

14 July 2018 9:00 am

According to the opening captions in Picnic at Hanging Rock (BBC2, Wednesday), ‘the infamous events’ it depicts ‘began whena mysterious…

Piffle: The Lieutenant of Inishmore reviewed

14 July 2018 9:00 am

The Lieutenant of Inishmore is a knockabout farce set during the Troubles. Like Monty Python’s dead parrot sketch it uses…

Lee Miller in Hitler’s bath, 1945

Grim and glorious: Lee Miller and Surrealism in Britain reviewed

14 July 2018 9:00 am

Tick, tock. Tick, tock. Stay too long in the Lee Miller exhibition at the Hepworth Wakefield and the metronome might…

An interesting – but unrealisable – interpretation: Royal Opera's Don Giovanni reviewed

14 July 2018 9:00 am

When Kasper Holten’s production of Don Giovanni was first staged at the Royal Opera in 2014, I disliked it intensely,…

The indispensable recorded legacy of Rafael Kubelik

14 July 2018 9:00 am

Rafael Kubelik is watching Wimbledon when I enter his suite at the Savoy. ‘Tennis fan?’ I ask, slightly surprised. He…

Ethan Hawke as the Revd Ernst Toller and Amanda Seyfried as Mary

Powerfully – grippingly – puzzling: First Reformed reviewed

14 July 2018 9:00 am

Paul Schrader’s First Reformed is slow, churchy, cerebral, bleak, difficult, tormented and puzzling, which is always a blow. So exhausting…

Queen Victoria’s ‘State Barge’, 1866–7, by James Henry Pullen

The ‘idiot’ artists whose surreal visions flourished in Victorian asylums

7 July 2018 9:00 am

Laura Gascoigne on the ‘idiot’ artists whose surreal visions flourished in Victorian asylums