Arts

Once seen as the coming force in British painting, John Craxton deserves another look

7 April 2018 9:00 am

In late April 1992, I was in Crete, interviewing the painter John Craxton. It was the week that Francis Bacon…

Flouncy, tasteless and unsubtle – I loved it: Ruthless! The Musical reviewed

7 April 2018 9:00 am

Ruthless! The Musical is a camp extravaganza about ambitious actors stranded in small-town America. Sylvia St Croix, a pushy agent,…

Adult treats in RNCM’s Hansel and Gretel

This Hansel and Gretel has 'classic' stamped all over it

7 April 2018 9:00 am

It’s been a good couple of weeks for cuddly toys in opera. A big floppy Eeyore is the only comfort…

Portentous, po-faced but also highly imaginative: The City & The City reviewed

7 April 2018 9:00 am

BBC2 has a new drama series for Friday nights. The main character is a world-weary middle-aged police inspector with an…

Iceland’s national composer returns from oblivion

7 April 2018 9:00 am

The lur is a horn, modelled in bronze after a number of 3,000-year-old instruments discovered at various archaeological sites across…

Oakes Fegley as Ben and Julianne Moore as Lillian Mayhew in Wonderstruck

Plenty to wonder at – like who thought it was a good idea to make it: Wonderstruck reviewed

7 April 2018 9:00 am

Wonderstruck is a film by Todd Haynes and you will certainly be struck by wonder, often. You will wonder at…

Shouldering a hoe, Christ appears to Mary Magdalene in Fra Angelico’s ‘Noli Me Tangere’ (c.1438–50)

The loveliest episode of Holy Week – Christ rises from the potting shed

31 March 2018 9:00 am

Only the subtlest artists choose to paint the Noli Me Tangere scene, a still, small episode of calm after the horrors of the Passion, says Laura Freeman

How Debussy slipped past Wagner into the unknown

31 March 2018 9:00 am

A spectre haunted the first weekend of the City of Birmingham Symphony Orchestra’s Debussy Festival: the spectre of Richard Wagner.…

It was good but I preferred slurping my genitals: Monty the dog reviews Isle of Dogs

31 March 2018 9:00 am

The latest film from Wes Anderson is a doggy animation set in a fantasy Japan and as there was a…

The glorious history of Chatham Dockyard, as told through the eyes of artists

31 March 2018 9:00 am

‘Ding, Clash, Dong, BANG, Boom, Rattle, Clash, BANG, Clink, BANG, Dong, BANG, Clatter, BANG BANG BANG!’ is how Charles Dickens…

Paradise Lost is made for radio – but you need to concentrate

31 March 2018 9:00 am

It’s a tough listen, Paradise Lost on Radio 4 at the weekend. In bold defiance of the demands of a…

The Plough and the Stars at the Lyric Hammersmith shows Sean O’Casey is one of the greats

31 March 2018 9:00 am

The Plough and the Stars by Sean O’Casey looks at the Irish nationalist movement during the events of Easter 1916.…

The genius of This Country

31 March 2018 9:00 am

Sometimes — really not often but sometimes — a programme that’s good and honest and true slips under the wire…

Verdi would have been disarmed: Anna Netrebko as Lady Macbeth

At last, a great achievement at the Royal Opera: Macbeth reviewed

31 March 2018 8:00 am

At last, a great time at the Royal Opera: a magnificent performance, in every way, of Verdi’s Macbeth, curiously but…

Thank you, West Midlands, for the blind alley of heavy metal – blues without rhythm, wit or soul

31 March 2018 8:00 am

They’re still alive, then. Chuggedy-chug, grawk, screech screech, chuggedy-chug. First mention of demons — line one, song two. Song one…

Games without frontiers: Ian Cheng’s ‘Emissaries Guide – Narrative Agents and Wildlife’ (2017)

The artist who creates digital life forms that bite & self-harm. Sam Leith meets him (and them)

24 March 2018 9:00 am

The artist Ian Cheng creates digital life forms that bite and self-harm. Sam Leith meets him (and them)

A beautiful but bizarre show, beset by ‘great ideas’: Summer and Smoke reviewed

24 March 2018 9:00 am

Summer and Smoke by Tennessee Williams dates from the late 1940s. He hadn’t quite reached the peaks of sentimental delicacy…

Unsensitive, Unhumane and Uncredible: Unsane reviewed

24 March 2018 9:00 am

Steven Soderbergh’s latest film, Unsane, is a psychological thriller about a woman who is incarcerated in a psychiatric hospital even…

How the Moody Blues only became good once they realised they were crap

24 March 2018 9:00 am

Rarely has one irate punter so affected a band’s trajectory. Without the anger of the man who went to see…

‘Majesty’, 2006, by Tacita Dean

Intelligent, poetic and profound: Tacita Dean at the National and National Portrait galleries

24 March 2018 9:00 am

Andy Warhol would probably have been surprised to learn that his 1964 film ‘Empire’ had given rise to an entire…

ENO's La traviata was so comprehensive a flop that it is painful to go into detail

24 March 2018 9:00 am

Handel’s Rinaldo has not been highly regarded even by his most ardent admirers. I have never understood why — even…

Shamelessly undemanding: ITV’s The Durrells reviewed

24 March 2018 9:00 am

For as long as I can remember, Sunday nights have been the home of the kind of TV drama cunningly…

Vince Staples is Christian, yet it’s hard to imagine Jesus singing along to GTFOMD

24 March 2018 9:00 am

Grade: B+ Another ex-Long Beach crip replanted in pleasant Orange County via the conduit of very large amounts of record…

The BBC admit they’re not ready to switch off analogue radio

24 March 2018 9:00 am

As Bob Shennan, the BBC’s director of radio and music admitted this week, there are almost two million podcast-only listeners…

Discomfort and joy: the director Ruben Ostlund, whose films are funny but subtly savage

The subtly savage world of filmmaker Ruben Ostlund

17 March 2018 9:00 am

Ruben Ostlund’s films scrape away the veneer of liberal civility to reveal our true animal nature. Jasper Rees meets him