Painting

‘Houses of Parliament, Sunlight Effect’, 1903, by Claude Monet

How war – and fog – saw London become a haven for the impressionists

28 October 2017 9:00 am

Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…

‘Landscape Near Kingston, Jamaica’, 1950, by John Minton

John Minton: well-known but not great enough; John Virtue: great but not well-known enough

15 July 2017 9:00 am

Wherever one looked in the arts scene of the 1940s and ’50s, one was likely to encounter the tragicomic figure…

‘Tennis’, 1930, by Eric Ravilious

How artists from Ravilious to Rauschenberg fell for tennis

8 July 2017 9:00 am

Tennis is best played with a wooden racket on a shady lawn somewhere close to Dorking. There is no need…

‘Inferno’ by Massimo Belardinelli

Why 2000AD deserves to be admired as art

25 February 2017 9:00 am

Borag Thungg, Earthlets! If those words mean something to you, then congratulations — you are leading a good life. If…

‘Untitled’, 1963, by Gillian Ayres

Britain's abstract painters deserve more attention than America's abstract expressionists

21 November 2015 9:00 am

Fifteen million pounds and a hefty slice of architectural vision have transformed the Whitworth from a fusty Victorian art temple…